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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

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ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

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BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

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Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

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LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

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rzetelność, konsekwencja i świeżość

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Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

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TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

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Dinah Washington, Fred Norman and His Orchestra

Back to the blues

Utwory
Wykonawcy

Edycja winylowa: Side A: 1. The Blues Ain't Nothin' But A Woman Cryin' For Her Man 2. Romance In the Dark 3. You've Been A Good Old Wagon 4. Let Me Be the First To Know 5. How Long, How Long Blues 6. Don't Come Running Back To Me Side B: 1. It's A Mean Old Man's World 2. Key To the Highway 3. If I Never Get To Heaven 4. Duck Before You Drown 5. No Hard Feelings 6. Nobody Knows The Way I Feel This Morning Wersja japońska SHM-CD Dinah Washington - Original Album Series 01. The Blues Ain't Nothin' But a Woman Cryin' for Her Man (3:49) 02. Romance in the Dark (2:15) 03. You've Been a Good Ole Wagon (3:53) 04. Let Me Be the First to Know (2:42) 05. How Long (5:01) 06. Don't Come Running Back to Me (2:26) 07. It's a Mean Old Man's World (3:13) 08. Key to the Highway (2:42) 09. If I Never Get to Heaven (3:47) 10. Duck Before You Drown (2:14) 11. No Hard Feelings (2:36) 12. Nobody Knows the Way I Feel This Morning (8:42)

Dinah Washington - vocal
Fred Norman and His Orchestra - orchestra

169.00 PLN

LP-180G 33rpm:

Nr kat.: SR25189
Label : PURE PLEASURE

Boska!

Dinah Washington performs music arranged and conducted by Fred Norman, including "The Blues Ain't Nothin' But A Woman Cryin' For Her Man'. "During the 1950s she had been regarded as an R&B performer but arranger and band-leader Fred Norman wrote these fine 1962 jazz settings for her shortly before her death. The material is strong and Washington soars and swings, her voice reaching many of the potent climaxes for which she was so highly regarded..." - Steve Voce "Prior to her 1959 hit "What a Difference a Day Makes," nearly every Dinah Washington recording (no matter what the style) was of interest to jazz listeners. However, after her unexpected success on the pop charts, most of Washington's sessions for Mercury and Roulette during the last four years of her life were quite commercial, with string arrangements better suited to country singers and Washington nearly parodying herself with exaggerated gestures. Fortunately, this 1963 LP is an exception, a blues-oriented collection that features Washington returning to her roots, backed by a jazz-oriented big band (with occasional strings and background voices). Eddie Chamblee and Illinois Jacquet have some tenor solos, guitarist Billy Butler is heard from, and the trumpet soloist is probably Joe Newman. In general, this is a more successful date than Washington's earlier investigation of Bessie Smith material, since the backup band is more sympathetic and the talented singer is heard in prime form. Dinah Washington clearly had a real feeling for this bluesy material." - Scott Yannow/AMG Produced by Henry Glover. Recorded at Bell Sound Studios, New York, March - November 1962.

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