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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Thelonius Monk
Straight, No Chaser
389.00 PLN
2 LP-180G 33rpm:
Nr kat.: IMP6020NLabel : Impex (USA)
First-time ever, 180-gram gatefold double LP All-analog mastering from the original tapes Mastered by Kevin Gray and Robert Pincus at Cohearent Audio Pressed at RTI in California By 1967, Thelonious Monk was being criticized by the jazz press for getting a bit stale, using the same personnel and performing the same songs as he had for the past few years. In reality, Monk was still able to bring vitality to his performances despite some predictability. This album includes some warhorses (Straight, No Chaser, I Didn't Know About You, and a solo piano version of Between the Devil and the Deep Blue Sea) along with Japanese Folk Song and the pianist's lesser-played originals Locomotive and We See. Monk and tenor saxophonist Charlie Rouse (who are ably supported by bassist Larry Gales and drummer Ben Riley) take consistently fine solos throughout this Columbia set. The session recordings for Monk's 1967 classic ran longer than a single LP could hold. Rather than put out a more costly 2-LP set, Columbia edited down the tracks chosen for the record to fit a 1-LP format — a common practice at the time. Now, for the first time ever, on 180-gram vinyl, Impex Records brings you the complete, extended takes of these breathtaking tunes, plus a great interpretation of "Green Chimneys," keeping fully intact and deepening the listener's appreciation of Monk's singular musical vision and the near-instinctive communcation between Monk and his sidemen.