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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
The Dave Brubeck Quartet
At Carnegie Hall
- The Dave Brubeck Quartet - group
269.00 PLN
2 LP-180G 33rpm:
Nr kat.: C2S826Label : SpeakersCorner
Many critics regard Dave Brubeck’s Carnegie Hall concert from February 1963 as his greatest ever live appearance. But who can really determine that? For no one – apart from Brubeck himself – would have seen and heard his conservatively estimated 12,000 concerts.
Although the twelve titles had already been released on LPs that had been recorded in the studio, these records were certainly not known to all those in the audience. In between the numbers on each LP, Brubeck made little 'advertising spots' in short comments, but with such charm and wit that one really cannot be angry with him.
The concert programme begins with "St. Louis Blues" and ends with "Take Five". Luckily, the solos are distributed among all the musicians, so that Paul Desmond and Joe Morello – whose prowess on this evening can only be called 'amazingly good' – justifiably received enthusiastic applause from both the audience and us alike. "Castilian Drums" demonstrates Morello’s wealth of ideas and his grandiose feeling for rhythm; though short, Paul Desmond’s solos ("Southern Scene" is a good example!) are compelling, highly melodic, lyrical and possess a unique tone – as such they are immediately recognisable.
How fortunate that the twelve brilliantly improvised numbers are now available once again on vinyl, having been recorded live at the legendary Carnegie Hall 60 years ago.
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