Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
Henry Mancini and his Orchestra
Breakfast at Tiffany's
- Henry Mancini - Breakfast at Tiffany's
- 01. Moon River (2:47)
- 02. Something for Cat (3:12)
- 03. Sally's Tomato (3:09)
- 04. Mr. Yunioshi (2:33)
- 05. The Big Blow Out (2:31)
- 06. Hub Caps and Tail Lights (2:33)
- 07. Breakfast at Tiffany's (2:49)
- 08. Latin Golightly (3:01)
- 09. Holly (3:22)
- 10. Loose Caboose (3:11)
- 11. The Big Heist (3:11)
- 12. Moon River Cha Cha (2:36)
- Henry Mancini and his Orchestra - orchestra
169.00 PLN
LP-180G 33rpm:
Nr kat.: LSP2362Label : SpeakersCorner
Long nights, dizzy parties, a variety of men-friends, and breakfast standing before the window display of the famed jewellery company govern the life of the dazzling Holly Golightly, who has in reality a very ordinary name and poverty-stricken background. All the more rich is the musical carpet that Henry Mancini lays beneath the feet of the exotic, wealthy-husband-seeking socialite. The tender, plaintive worldwide hit "Moon River" apart, Mancini and his Hollywood musicians mix a sugar-sweet sound with enough acrid elements to glaze over the capricious lady’s character. The cool big band sound is spiced with a bold trumpet solo ("The Big Blow Out") and mellow violins with a suspiciously tame male choir ("Breakfast At Tiffany’s"). As is well known, there is a great deal of dancing in the film, including a number with a Latin-American rhythm ("Latin Golightly"), and a grooving mambo ("Loose Caboose"). At the end of the film even the "Moon River" swells to become a bubbling cha-cha, as though to say that a 'happy end' must in no way sound sentimental.
