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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
TCHAIKOVSKY, DVORAK, Ruggiero Ricci, The London Symphony Orchestra, Sir Malcolm Sargent
Violin Concerto
- Ruggiero Ricci - violin
- The London Symphony Orchestra - orchestra
- Sir Malcolm Sargent - conductor
- TCHAIKOVSKY
- DVORAK
369.00 PLN
2 LP-180G 33rpm:
Nr kat.: LP43194Label : Analogphonic
180g Audiophile Virgin Vinyl Double LP! From the Original Analogue Masters of Universal Music! Mastering by John Webber at Air Studios in London! Pressed at Optimal in Germany! From the first bars. Ricci's astonishingly assured combination of virtuosity and poetic sensibility erased my forebodings in regard to "another" Tchaikovsky Violin Concerto and held me in a state of admiration throughout a score which seems here so fresh and vivacious that it might have just been composed — and specifically for Ricci himself. His uncanny technical security has never been more electrifyingly demonstrated. Ricci is sure-handed. In both sides, the uncommonly transparent, delicately differentiated stereoism makes the most of the soloist's silken, varicolored tonal qualities. – Hi Fidelity Ricci's warm tone and brilliant technique are well suited to the performance of these two concertos. He seems somewhat more at home in the Tchaikovsky, which he plays beautifully, though with the usual cuts in the last movement. In the Dvorák. Sargent accompanies well in both concertos, and the sound is faithful. – Hi-Fi Review