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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
TAVENER, Michael Nyman, WHITE, The Wallace Collection
The Golden Section
- Wallace Collection - The Golden Section
- 01. Trisagion (12:34)
- 02. Doggerel Machine / serene but ongoing (2:05)
- 03. Doggerel Machine / sprightly but steady (1:32)
- 04. Doggerel Machine / serene but ongoing (0:17)
- 05. Doggerel Machine / serene but ongoing (2:04)
- 06. Doggerel Machine / serene but ongoing (0:16)
- 07. Doggerel Machine / strong but steady (1:53)
- 08. Doggerel Machine / serene but ongoing (0:12)
- 09. Doggerel Machine / presto but steady (0:36)
- 10. Doggerel Machine / quick march (1:01)
- 11. The Golden Section / The Bullfight (Francisco de Goya) (3:15)
- 12. The Golden Section / Valparaiso (James Abbott McNeill Whistler) (2:52)
- 13. The Golden Section / Le Parade Du Cirque (Georges Seurat) (2:02)
- 14. The Golden Section / Dejeuner Sur L'Herbe (Edouard Manet) (2:31)
- 15. The Golden Section / Night Hawks (Edward Hopper) (3:25)
- 16. The Golden Section / Broadway Boogie-Woogie (Piet Mondrian) (2:37)
- 17. Masque Arias (7:46)
- 18. Summer Dances / Maestoso: allegro alla danza (2:21)
- 19. Summer Dances / Allegretto preciso (1:53)
- 20. Summer Dances / Allegro non troppo (2:28)
- 21. Summer Dances / Moderato (1:35)
- 22. Summer Dances / Lento con moto e flessibile (4:07)
- 23. Summer Dances / Allegro ritmico (2:18)
- 24. Adam's Rib (10:21)
- The Wallace Collection - quintet
- TAVENER
- Michael Nyman
- WHITE
59.00 PLN
CD:
Nr kat.: CKD092Label : Linn Records
The Wallace Collection, a brass quintet founded by trumpeter John Wallace in 1986, has always embraced a wide range of twentieth century music. This CD contains a characteristic selection. John Tavener's Trisagion, written for Philip Jones's ensemble, was pronounced unplayable by Jones, whose chops one imagined capable of executing anything. It was premiered in 1985 by Equale Brass, led by Wallace. Though it contains some Stravinskian flourishes it is not an obviously difficult piece, balancing fanfare-like passages with solemn chorales. Doggerel,one of a series begun in 1970 in reaction to the fashion for improvisation, is precise and punchy. Jim Parker's music for Betjeman's 1970s albums perfectly complemented the poems though much of The Golden Section shows off the brass rather than evokes the spirit of the painters cited in the movement titles. Michael Nyman's piece is reworked (and somewhat improved)from material originating in Prospero's Books.Matthias's Dances are lively and bright-textured. James MacMillan's piece tops off the programme impressively, from its eerie, subliminal opening, through the dark fire of the central fanfares to the final isolated muted trumpet calls. Classic CD.