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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Simon and Garfunkel
Bridge Over Troubled Water
After half a decade of pop superstardom, America's favorite folk-rock duo were just about ready to go their separate ways (at least Simon was), but not before releasing this gem of a swan song. Possibly S&G's most diverse album, BRIDGE OVER TROUBLED WATER firmly established them as creators of pop standards on a par with Irving Berlin or Johnny Mercer. The title tune alone, a beautifully unfolding gospel-tinged vow of emotional commitment, places them in the pop hall of fame forever. The story obviously doesn't stop there. Foreshadowing Simon's solo work, the jubilant love song "Cecilia" and the poignant, yearning "El Condor Pasa" both turn to the traditions of other cultures for musical inspiration. The highly metaphorical "The Boxer" is the only real throwback to Simon's more self-conscious early work. The transcendent production of "The Only Living Boy in New York" puts a pop sheen on an early example of Simon's nascent Randy Newman influence. What a way to say goodbye. Rolling Stone (12/11/03, p.112) - Ranked #51 in Rolling Stone's "500 Greatest Albums Of All Time" - "...The partnership at its best..." Rolling Stone (5/15/03, p.137) - 5 stars out of 5 - "...An album about the end--a casually ambitious look back at an expiring musical partnership (Simon and Garfunkel) and decade (the Sixties)..." Q (1/00, p.140) - 4 stars out of 5 - "...[Their] final record is probably their best. It's certainly their most consistent....notable for the strength of its melodies, the force of its lyrics and the Abbey Road-style sophistication of its production." Uncut (8/01, p.92) - 3 stars out of 5 - "...One of the biggest-selling albums in pop history..."
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