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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
SCHUBERT, Staatskapelle Dresden, Wolfgang Sawallisch
Late Masses in A flat and E flat
- Franz Shubert - The Great Masses - Mass in A flat major, D678 (disc 1)
- 01. Kyrie (7:19)
- 02. Gloria (15:14)
- 03. Credo (12:19)
- 04. Sanctus (3:18)
- 05. Benedictus (4:34)
- 06. Agnus Dei (9:01)
- Franz Shubert - The Great Masses - Mass in E flat major, D950 (disc 2)
- 01. Kyrie (7:10)
- 02. Gloria (14:23)
- 03. Credo (15:55)
- 04. Sanctus (3:19)
- 05. Benedictus (6:44)
- 06. Agnus Dei (10:27)
- Staatskapelle Dresden - orchestra
- Wolfgang Sawallisch - conductor
- SCHUBERT
59.00 PLN
2 CD:
Nr kat.: 8802070Label : Newton Classics
Schubert’s last great masses – No.5 in A flat and No.6 in E flat – are his greatest achievements in this genre, both seeking to reconcile Christian liturgical grandeur with new-found romantic expression. They are much more substantial than the composer’s earlier masses, which still lie firmly within the classical tradition of Haydn and Mozart. Schubert was very proud of his sublime A flat mass, which took him three years to write, and was the only completed major work of the so-called ‘crisis’ years. It features some of Schubert’s most beautiful and complex writing for choir and orchestra. His last and most ambitious mass, the Mass No.6 in E flat, was once considered something of a Cinderella among the great works of his final year. However, it is increasingly acknowledged as a powerful and disquieting masterpiece, more monumental than the A flat. Wolfgang Sawallisch is renowned for his performances of Schubert’s church music, and these glorious recordings from 1971, made with the Staatskapelle Dresden and the Rundfunkchor Leipzig, were released to great acclaim. The team of legendary soloists are all experienced performers of oratorio: soprano Helen Donath, mezzo-soprano Ingeborg Springer, tenor Peter Schreier and bass Theo Adam. “the...Dresden sound is first class: spacious, with plenty of depth and a very good overall balance. The conductor has chosen a superb team of soloists…Helen Donath sings very beautifully…undoubtedly Sawallisch is at his most inspired throughout.” (The Penguin Guide)