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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
ROGIER, Choir of King's College, David Trendell
Missa Ego sum qui sum and Motets
- 1 Videntes stellam [6'20]
- with The English Cornett and Sackbut Ensemble
- 2 Cantantibus organis [3'19]
- Missa Ego sum qui sum
- 3 Movement 1: Kyrie [4'05]
- 4 Movement 2: Gloria [7'50]
- 5 Caligaverunt oculi mei [6'51]
- Missa Ego sum qui sum
- 6 Movement 3: Credo [9'52]
- 7 Locutus sum in lingua mea [10'09]
- Missa Ego sum qui sum
- 8 Movement 4: Sanctus [2'58]
- 9 Movement 5: Benedictus [3'22]
- 10 Laboravi in gemitu meo [4'42]
- Missa Ego sum qui sum
- 11 Movement 6: Agnus Dei [3'54]
- 12 Verbum caro [7'20]
- with The English Cornett and Sackbut Ensemble
- Choir of King's College - choir
- David Trendell - conductor
- ROGIER
59.00 PLN
CD:
Nr kat.: CDA67807Label : Hyperion
Although well known and highly regarded in his lifetime and in the years following his death in 1596, the music of Philippe Rogier is largely known (especially to English audiences) through one motet alone, Laboravi in gemitu meo. But there is much to explore in this genuinely underrated composer. Philippe Rogier was one of a long line of Flemish composers who worked at the Spanish court. The high regard that the musically astute Philip II held for Rogier was not misplaced, because he is one of the most fascinating and rewarding composers of the late sixteenth century: extraordinarily versatile, capable of plumbing the emotional depths in his penitential works (of which there are many) as well as exalting the heights in his festive music. The main work on this disc includes the parody mass Missa Ego sum qui sum, based on a motet by Gombert. It must rank as one of the finest settings of the Mass ordinary of the late sixteenth century, dazzling in its invention and sheer beauty. Gombert had been one of the most influential composers of the post-Josquin period, developing a style of composition based on continuous imitation and almost relentless expressivity with an extraordinarily high level of dissonance. Rogier’s Mass seems to be a tribute to this style. Two twelve-part accompanied motets are recorded here, pointing to a well-developed polychoral tradition at the Spanish court. The remaining motets on this recording represent different facets of the composer: desperate cries in the pentitential works and sheer exuberance in Cantantibus organis, a motet in honour of St Cecilia. The much admired choir of King’s College London and their director David Trendell appear in their Hyperion debut.