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PURCELL, The Parley of Instruments, Roy Goodman

Complete Ayres for the Theatre

  • The Prophetess, or The History of Dioclesian, Z627
  • CD1 1 Suite. Movement 1: Overture [3'58]
  • 2 Suite. Movement 2: Preludio [2'12]
  • 3 Suite. Movement 3: Song Tune 'Let the soldiers rejoice' [1'12]
  • 4 Suite. Movement 4: Trumpet Tune [0'55]
  • 5 Suite. Movement 5: Country Dance [1'28]
  • 6 Suite. Movement 6: Air [0'56]
  • 7 Suite. Movement 7: Hornpipe [1'03]
  • 8 Suite. Movement 8: Air. Trumpet Tune [0'27]
  • 9 Suite. Movement 9: Canaries [0'51]
  • King Arthur, or The British Worthy, Z628
  • 10 Suite. Movement 01: Overture [3'38]
  • 11 Suite. Movement 02: Air [1'06]
  • 12 Suite. Movement 03: Air [1'18]
  • 13 Suite. Movement 04: Song Tune 'Fairest Isle' [1'35]
  • 14 Suite. Movement 05: Hornpipe [0'42]
  • 15 Suite. Movement 06: Hornpipe 'Come, shepherds' [0'49]
  • 16 Suite. Movement 07: Song Tune 'How blest are shepherds' [1'27]
  • 17 Suite. Movement 08: Air [1'36]
  • 18 Suite. Movement 09: Song Tune 'Round thy coasts' [1'12]
  • 19 Suite. Movement 10: Song Tune 'Come if you dare' [1'12]
  • 20 Suite. Movement 11: Trumpet Tune [0'44]
  • 21 Suite. Movement 12: Trumpet Tune [1'05]
  • 22 Suite. Movement 13: Chaconne [3'17]
  • The Fairy Queen, Z629
  • 23 Suite. Movement 01: Overture [2'33]
  • 24 Suite. Movement 02: Hornpipe [0'57]
  • 25 Suite. Movement 03: Air [1'07]
  • 26 Suite. Movement 04: Air [0'53]
  • 27 Suite. Movement 05: Rondeau [1'50]
  • 28 Suite. Movement 06: Preludio [1'54]
  • 29 Suite. Movement 07: Hornpipe [1'03]
  • 30 Suite. Movement 08: Overture. Symphony while the Swans Come Forward [2'00]
  • 31 Suite. Movement 09: Song Tune 'If love's a sweet passion' [1'34]
  • 32 Suite. Movement 10: Jig [1'07]
  • 33 Suite. Movement 11: Dance for the Fairies [0'57]
  • 34 Suite. Movement 12: Air 4 in 2. Dance for the Followers of Night [2'15]
  • 35 Suite. Movement 13: Song Tune 'Sing while we trip it' [1'11]
  • 36 Suite. Movement 14: Air [1'26]
  • 37 Suite. Movement 15: Air [1'32]
  • 38 Suite. Movement 16: Song Tune 'Thus happy and free' [1'02]
  • 39 Suite. Movement 17: Chaconne. Dance for the Chinese Man and Woman [2'39]
  • 40 Suite. Movement 18: Air [1'32]
  • The Indian Queen, Z630
  • 41 Suite. Movement 01: Overture [3'17]
  • 42 Suite. Movement 02: Trumpet Tune [0'35]
  • 43 Suite. Movement 03: Trumpet Tune. I come to sing great Zempoalla's story [1'13]
  • 44 Suite. Movement 04: Air [1'13]
  • 45 Suite. Movement 05: Hornpipe [0'50]
  • 46 Suite. Movement 06: Air [0'57]
  • 47 Suite. Movement 07: Hornpipe [1'00]
  • 48 Suite. Movement 08: Air [1'00]
  • 49 Suite. Movement 09: Song Tune 'We the spirits of the air' [1'01]
  • 50 Suite. Movement 10: Rondeau [1'46]
  • The Married Beau, or The Curious Impertinent, Z603
  • CD2 1 Suite. Movement 1: Overture [2'56]
  • 2 Suite. Movement 2: Slow Air [0'58]
  • 3 Suite. Movement 3: Hornpipe [0'40]
  • 4 Suite. Movement 4: Air [1'21]
  • 5 Suite. Movement 5: Hornpipe [0'38]
  • 6 Suite. Movement 6: Jig [1'17]
  • 7 Suite. Movement 7: Trumpet Air [1'32]
  • 8 Suite. Movement 8: March [1'13]
  • 9 Suite. Movement 9: Hornpipe on a Ground [1'22]
  • The Old Batchelor, Z607
  • 10 Suite. Movement 1: Overture [3'26]
  • 11 Suite. Movement 2: Hornpipe [0'56]
  • 12 Suite. Movement 3: Slow Air [1'17]
  • 13 Suite. Movement 4: Hornpipe [0'38]
  • 14 Suite. Movement 5: Rondeau [0'42]
  • 15 Suite. Movement 6: Minuet [0'55]
  • 16 Suite. Movement 7: Borry [0'32]
  • 17 Suite. Movement 8: March [0'55]
  • 18 Suite. Movement 9: Jig [0'39]
  • Amphitryon, or The Two Sosias, Z572
  • 19 Suite. Movement 1: Overture [3'34]
  • 20 Suite. Movement 2: Saraband [0'43]
  • 21 Suite. Movement 3: Hornpipe [1'03]
  • 22 Suite. Movement 4: Scotch Tune [0'54]
  • 23 Suite. Movement 5: Air [0'56]
  • 24 Suite. Movement 6: Minuet [0'52]
  • 25 Suite. Movement 7: Hornpipe [0'34]
  • 26 Suite. Movement 8: Borry, or Gavotte [0'50]
  • The Double Dealer, Z592
  • 27 Suite. Movement 1: Overture [3'35]
  • 28 Suite. Movement 2: Hornpipe [0'42]
  • 29 Suite. Movement 3: Minuet [0'53]
  • 30 Suite. Movement 4: Air [1'38]
  • 31 Suite. Movement 5: Hornpipe [0'42]
  • 32 Suite. Movement 6: Minuet. Slow Air [1'25]
  • 33 Suite. Movement 7: Minuet [0'41]
  • 34 Suite. Movement 8: Air [1'09]
  • 35 Suite. Movement 9: Air [0'55]
  • Distress'd Innocence, or The Princess of Persia, Z577
  • 36 Suite. Movement 1: Overture [2'05]
  • 37 Suite. Movement 2: Air [0'56]
  • 38 Suite. Movement 3: Slow Air [1'38]
  • 39 Suite. Movement 4: Air [0'58]
  • 40 Suite. Movement 5: Hornpipe, or Jig [0'39]
  • 41 Suite. Movement 6: Rondeau [1'35]
  • 42 Suite. Movement 7: Air [0'51]
  • 43 Suite. Movement 8: Minuet [0'56]
  • The Gordion Knot Unty'd, Z597
  • 44 Suite. Movement 1: Overture. Grave – Canzona [3'40]
  • 45 Suite. Movement 2: Air [0'41]
  • 46 Suite. Movement 3: Rondeau Minuet [2'03]
  • 47 Suite. Movement 4: Air [0'51]
  • 48 Suite. Movement 5: Jig 'Lilliburlero' [0'40]
  • 49 Suite. Movement 6: Chaconne [1'56]
  • 50 Suite. Movement 7: Air [0'40]
  • 51 Suite. Movement 8: Minuet [1'13]
  • Abdelazar, or The Moor's Revenge, Z570
  • CD3 1 Suite. Movement 1: Overture. Grave – Canzona [2'59]
  • 2 Suite. Movement 2: Rondeau. Hornpipe [1'33]
  • 3 Suite. Movement 3: Air [1'19]
  • 4 Suite. Movement 4: Air [1'17]
  • 5 Suite. Movement 5: Minuet [0'53]
  • 6 Suite. Movement 6: Air [1'12]
  • 7 Suite. Movement 7: Jig [0'34]
  • 8 Suite. Movement 8: Hornpipe [0'41]
  • 9 Suite. Movement 9: Air [1'36]
  • Bonduca, or The British Heroine, Z574
  • 10 Suite. Movement 1: Overture. Grave – Canzona [3'59]
  • Crispian Steele-Perkins (trumpet)
  • 11 Suite. Movement 2: Song Tune 'Britons, strike home' [1'37]
  • Crispian Steele-Perkins (trumpet)
  • 12 Suite. Movement 3: Song Tune 'To arms, to arms' [1'15]
  • Crispian Steele-Perkins (trumpet)
  • 13 Suite. Movement 4: Air [1'42]
  • Crispian Steele-Perkins (trumpet)
  • 14 Suite. Movement 5: Hornpipe [0'54]
  • Crispian Steele-Perkins (trumpet)
  • 15 Suite. Movement 6: Air [0'44]
  • Crispian Steele-Perkins (trumpet)
  • 16 Suite. Movement 7: Hornpipe [0'51]
  • Crispian Steele-Perkins (trumpet)
  • 17 Suite. Movement 8: Air [0'59]
  • Crispian Steele-Perkins (trumpet)
  • 18 Suite. Movement 9: Minuet [1'17]
  • Crispian Steele-Perkins (trumpet)
  • The Virtuous Wife, or Good luck at last, Z611
  • 19 Suite. Movement 1: Overture. Grave – Canzona [2'41]
  • 20 Suite. Movement 2: Song Tune 'Ah, how sweet it is to love' [2'39]
  • 21 Suite. Movement 3: Slow Air [1'40]
  • 22 Suite. Movement 4: Air [0'42]
  • 23 Suite. Movement 5: Preludio [1'34]
  • 24 Suite. Movement 6: Hornpipe [0'38]
  • 25 Suite. Movement 7: Minuet [1'01]
  • 26 Suite. Movement 8: Minuet [0'50]
  • 27 Suite. Movement 9: Air 'La Furstenburg' [1'01]
  • The Fairy Queen, Z629
  • 28 Act IV Sonata 'while the sun rises'. Movement 1: [Allegro] [1'06]
  • Crispian Steele-Perkins (trumpet), Stephen Keavy (trumpet)
  • 29 Act IV Sonata 'while the sun rises'. Movement 2: Canzona [2'33]
  • Crispian Steele-Perkins (trumpet), Stephen Keavy (trumpet)
  • 30 Act IV Sonata 'while the sun rises'. Movement 3: [Adagio] [1'41]
  • Crispian Steele-Perkins (trumpet), Stephen Keavy (trumpet)
  • 31 Act IV Sonata 'while the sun rises'. Movement 4: [Allegro] – [Adagio] – [Allegro] [2'47]
  • Crispian Steele-Perkins (trumpet), Stephen Keavy (trumpet)
  • Dido and Aeneas, Z626
  • 32 No 1: Overture in G minor [3'09]
  • Sir Anthony Love, or The Rambling Lady, Z588
  • 33 No 1: Overture [3'45]
  • Timon of Athens, Z632
  • 34 Suite. Movement 1: Overture. Grave – Canzona – Adagio – Canzona [5'21]
  • Crispian Steele-Perkins (trumpet)
  • 35 Suite. Movement 2: Curtain Tune on a Ground [3'49]
  • Crispian Steele-Perkins (trumpet)
  • The Indian Queen, Z630
  • 36 Act III: Symphony [5'08]
  • Crispian Steele-Perkins (trumpet)
  • The Parley of Instruments - orchestra
  • Roy Goodman - conductor
  • PURCELL
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85.00 (119.00) PLN

3 CD:

Nr kat.: CDS44381
Label  : Hyperion

'The Parley of Instruments up to their usual stellar form' (Stereophile, USA) 'Highly enjoyable!' (Early Music Review) ''Ayres for the Theatre' is a wonderful collection of rich and varied, tuneful music and has been marvellously well recorded by engineer Tony Faulkner … the players set out in almost holographic detail between, beyond, between and in front of the loudspeakers. You could almost be there' (Gramophone 'Soundings') 'Strongly recommended' (Fanfare, USA) 'Goodman pilote sa troupe avec une science, une fraîcheur, une addresse, une élégance, qui signale le parfait purcellien' (Diapason, France)