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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
PRIMA VOCE, Maria Barrientos
Maria Barrientos - 1916-1920
Galeria okładek
ZamknijGaleria okładek
- 1 LA SONNAMBULA, Bellini, Ah! non giunge 3.27
Rec: 5 March 1920 Mat: 49763 Columbia Cat: 68053D
2 LUCIA DI LAMMERMOOR, Donizetti, Regnava nel silenzio 3.45
Rec: 14 March 1916 Mat: 48628 Columbia Cat: 68040D
3 LUCIA DI LAMMERMOOR, Donizetti, Ardon glincensi (Mad Scene) 4.36
Rec: 14 March 1916 Mat: 48627 Columbia Cat: 68040D
4 IL BARBIERE DI SIVIGLIA, Rossini, Dunque io son 4.21
with Riccardo Stracciari, baritone
Rec: 20 March 1919 Mat: 49612 Columbia Cat: 71003D
5 I PURITANI, Bellini, Qui la voce... Vien diletto 7.57
Rec: 8 April 1918 Mat: 49370/1 Columbia Cat: 68052D/69052D
6 LE NOZZE DI FIGARO, Mozart, Deh vieni, non tardar 4.11
Rec: 23 March 1916 Mat: 48651 Columbia Cat: 68057D
7 LE COQ DOR, Rimsky-Korsakoff, Hymne au soleil 2.29
Rec: 29 April 1918 Mat: 49386 Columbia Cat: 68053D
8 LAKMÉ, Delibes, Ou va la jeune Hindoue (Bell Song) 4.19
G. Polacco, conductor
Rec: 12 March 1917 Mat: 49151 Columbia Cat: 68041D
9 MIREILLE, Gounod, O lég?re hirondelle (Waltz) 3.28
G. Polacco, conductor
Rec: 23 March 1916 Mat: 48650 Columbia Cat: 68068D
10 DINORAH, Meyerbeer, Ombra leggiera 4.14
Rec: 6 March 1919 Mat: 49596 Columbia Cat: 68042D
11 LA TRAVIATA, Verdi, Un di felice 4.21
with Charles Hackett, tenor
Rec: 10 April 1919 Mat:49622 Columbia Cat: 71001D
12 RIGOLETTO, Verdi, E il sol del anima 3.49
with Charles Hackett, tenor
Rec: 4 April 1919 Mat: 49616 Columbia Cat: 71002D
13 RIGOLETTO, Verdi, Caro nome 4.32
G. Polacco, conductor
Rec: 23 March 1916 Mat: 48649 Columbia Cat: 68041D
14 RIGOLETTO, Verdi, Tutte le feste al tempio ... Piangi, piangi 4.14
with Riccardo Stracciari, baritone
Rec: 20 March 1919 Mat: 49611 Columbia Cat: 71003D
15 RIGOLETTO, Verdi, Si vendetta 2.22
with Riccardo Stracciari, baritone
Rec: 20 March 1919 Mat: 78363 Columbia Cat: 4010M
16 RIGOLETTO, Verdi, Bella figlia dell amor (Quartet) 4.15
with Charles Hackett, Riccardo Stracciari & Jeanne Gordon
Rec: 27 March 1920 Mat: 49782 Columbia Cat: 74000D
17 Proch, Theme and Variations 4.21
Rec: 23 April 1920 Mat: 49803 Columbia Cat: 68079D
18 J. Strauss II, Voci di primavera 4.28
G. Polacco, conductor
Rec: 2 April 1917 Mat: 49171 Columbia Cat: 68068D
- PRIMA VOCE - serie
- Maria Barrientos - soprano
34.00 PLN
CD:
Nr kat.: NI7908Label : Nimbus Records
Maria Barrientos was born on 19 March 1884 in Barcelona and became a singer in an age where the abilities of the coloratura soprano aroused the utmost enthusiasm in the opera going public. In spite of serious competition from the then reigning diva Luisa Tetrazzini her performances were so accomplished that she was described by one distinguished paper as the second Adelina Patti.