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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
PONCHIELLI, VERDI, SPONTINI, BELLINI, Rosa Ponselle
Rosa Ponselle
ZamknijGaleria okładek
- Rosa Ponselle - soprano
- PONCHIELLI
- VERDI
- SPONTINI
- BELLINI
"There are those who say that once they had heard Ponselle in the flesh they never wanted to hear her recordings for they did her such scant justice. That is quite credible, though the reaction might conceivably have been different if the records could have been heard reproduced as they are here." Gramophone Reviews "Briefly a protegee and stage partner of Caruso until his untimely death, Ponselle is as great as her mentor; the ne plus ultra of dramatic sopranos, vocally virtually perfect and close to that as an interpreter. Her range, both in tessitura and repertoire, was extraordinary and she added to her glamour by retiring early to marry, and occasionally threatening a comeback which never materialised. The richness of her lower register, the velvet timbre of her middle range, the security of her top are things of wonder today - and she had that gift of a special vocal intensity and character which etches itself on the memory; it is very easy to bring her voice to mind singing certain memorable phrases inimitably - a gift shared perhaps most notably by Muzio and Callas. Despite singing heavy roles such as Aida incomparably, rivalled only by Emmy Destinn there, she could lighten her voice to sing with fluting intensity, as in the famous exotic "Sadko" aria. Everything she sings sounds as if it had been written for her voice and she left a wealth of recorded legacy to prove it."- Ralph Moore
