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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MOZART, Bruno Walter, Columbia Symphony Orchestra
Symphony No. 41 JUPITER / Symphony No. 35 HAFFNER
- Bruno Walter - conductor
- Columbia Symphony Orchestra - orchestra
- MOZART
At flea markets in the colourful, pre-digital era, one could occasionally find Bruno Walter’s Mozart recordings amongst other 'rarities'. Thin vinyl discs of dubious origin changed hands for a small sum, the cheap bootleg recording gave up the ghost after just a few rounds on the turntable and then vanished into thin air. What remained, however, was a musical impression that – from that moment onwards – influenced what one expected when listening to Mozart’s symphonies. Is it the unifying sound with which Walter so harmonically interweaves the slender serenade-like character with the great symphonic idea in the "Haffner" Symphony? Does the magic of the fast finale, which Mozart wanted »to be played as swiftly as possible«, lie in the brisk tempo or in its clear structure? An answer to this and other questions is given by this new release of the Symphonies No. 35 and the unique "Jupiter". The latter was a linchpin in the history of the genre; it not only terminated and consummated Mozart’s creative period but also opened – as the first monumental piece – the way to the great symphonic works of the 19th century. The tightly knit finale in particular, with its sparkling mixture of strict counterpoint and galant style, is highly captivating thanks to its spirited and motivated, yet never overhasty, rendering, which can be enjoyed time and again on this production. And that’s guaranteed!
