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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MOZART, Anna Tomowa-Sintow, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan
Requiem
- Anna Tomowa-Sintow - soprano
- Agnes Baltsa - mezzosopran
- Berliner Philharmoniker - orchestra
- Herbert von Karajan - conductor
- MOZART
149.00 PLN
SACD Hybr:
Nr kat.: 4716392Label : Deutsche Grammophon
Herbert von Karajan’s 1975 Mozart Requiem is of the grand ceremonial type with large choral forces and full orchestra accompaniment–all of which sounds quite massive compared to more recent period-style performances–particularly Bruno Weil’s powerfully lean and incisive version on Sony (see Reviews Archive). The present recording’s spacious reverberation enhances the feeling of bigness, and with it the sense of occasion. Karajan’s tempos are on the slow side, especially by today’s standards, but he generates much anger and sonic power in the Dies Irae. But the tension flags considerably in the second half, where Süssmayr reportedly takes over (this recording uses the standard Süssmayr completion). However, there’s no lack of passion on the part of the singers, especially Jose van Dam, whose golden bass-baritone sounds so soothing in the Tuba Mirum. Karajan is dutifully reverential in the coupled Mass in C, but even though he again gets fine choral and solo singing (and the recording is closer and brighter than the Requiem), the performance could do with a lighter, more joyful touch. Ultimately it comes down to whether you are a Karajan fan, in which case this recording does the job. For others, there are the recommended alternatives. - See more at: https://www.classicstoday.com/review/review-14268/#sthash.9S8JASDE.dpuf Anna Tomowa-Sintow (soprano) Agnes Baltsa (alto) Werner Krenn (tenor) José van Dam (bass) Karajan, Herbert von (conductor) Berlin Philharmonic Wiener Singverein See more at: https://www.classicstoday.com/review/review-14268/#sthash.9S8JASDE.dpuf