Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MOZART, Angela Hewitt, Hannu Lintu, Orchestra da Camera del Conservatorio di Mantova
Piano Concertos Nos 17 and 27
- Angela Hewitt - piano
- Hannu Lintu - conductor
- Orchestra da Camera del Conservatorio di Mantova - orchestra
- MOZART
THE DAILY TELEGRAPH CLASSICAL ALBUM OF THE WEEK 'The Andante of K453 evokes the finest in Hewitt, its trajectory exposed through pathos and proud gesture, the pauses treated as silences to generate expectancy for daring harmonic modulations. That's model musicianship' (Gramophone) 'The sound is wonderfully clean and focused, with an ideal balance between Hewitt's customary Fazioli piano and the orchestra. … [K453 finale] Here Lintu starts the movement with light-footed grace, using minimal vibrato on the strings, Hewitt taking her cue with playing of elegance and buoyancy … The attention to musical contrast and stylistic integrity is similar throughout. Hewitt's own illuminating notes in the booklet are a bonus, making this a Mozart release to cherish' (The Daily Telegraph) 'The success of her performances of K595 and the G major, K453, rests in part on Hewitt's feeling for Mozart's remarkable harmonic and tonal range in both works … Mozart gives us plenty more surprises … Hewitt relishes these, as if freshly exploring and delighting in them … These characteristics of intelligent delight in the music also mark Hewitt's performance of the G major Concerto … It is brilliantly done, and this is a brilliant performance all round' (International Record Review) 'Angela Hewitt’s recording is perfection itself — not just in how precisely she places each and every note, but in how she and the orchestra sound as if they are breathing and working as one' (Musical Toronto, Canada) 'Hewitt draws great delicacy from her Fazioli piano … Strongly recommended' (Liverpool Post)