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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MASSONNEAU, Ensemble Piu
Oboe Quartets
89.00 PLN
SACD Multi-CH:
Nr kat.: AUD92562Label : Audite
The Oboe Quartets by Louis Massonneau (1766-1848), a German composer of French origin, were re-discovered by the Ensemble Più in the Landesbibliothek Mecklenburg-Vorpommern in Schwerin. Already published in 1798 by Jean August Böhme in Hamburg, the quartets nevertheless remained largely unknown – unjustly so as they convince through their pleasant thematic invention and their varied use of the oboe as both a solo- and an ensemble-instrument. A traditionalist, Massonneau remained a court musician during the transitional period between the eighteenth and nineteenth centuries: without claims to radical innovation the composer skilfully combines lovely tunes, extraordinary sounds and surprising thematic turns. Since its foundation, the Ensemble Più has preferred to perform works that are (still) unknown, specialising in music of the classical era. Two of the three oboe quartets on this SACD are presented as a premiere recording with which the Ensemble Più not only marks the first birthday of its collaboration with audite, but also celebrates its tenth anniversary.