Logowanie

Najbardziej analogowe brzmienie na CD - XRCD!

BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

Kendel Carson

Rearview Mirror Tears

Utwory
Wykonawcy

Kendel Carson - Rearview Mirror Tears 01. Run to the Middle of the Mornin' (2:52) 02. I Like Trucks (3:53) 03. Take Me Down to the River (4:55) 04. Ribbons and Bows (3:00) 05. I Certainly Know Why (3:06) 06. Gold in the Hills (4:06) 07. In the Middle of a Think About You (2:50) 08. Especially for a Girl (3:36) 09. Child All Over Again (2:36) 10. Ain't That the Sun (4:25) 11. Just What Happened to the Moon (3:04) 12. There's No Angel on My Shoulder (3:49) 13. Who Wants to Ride This Train (3:11)

Kendel Carson - vocal

69.00 PLN

CD (digi):

Nr kat.: TW026
Label : Rounder

AllMusic Review by Rick Anderson [-] Kendel Carson is a fiddler and singer who plays with the excellent Canadian folk-rock outfit the Paperboys. For her solo debut, she slips into a languorous country-rock mode, spending most of her time maintaining a simmering slow-to-midtempo groove and delivering songs (mostly written by producer and guitarist Chip Taylor) that deal with fairly predictable topics in a way that manages to sound consistently fresh without being particularly unusual or innovative. The album's high point is the quietly spectacular "Gold in the Hills (Of Saltery Bay)," a moody rumination on love gone right; almost equally fine is the sad and lovely "Ribbons & Bows," one of two songs on which Carson gets co-writer credit. Elsewhere, the miserable lyrical theme of "Child All Over Again" is given a strangely jaunty setting, and "Run to the Middle of the Mornin'" burns brightly at midtempo. Two of the album's snottier tracks, "I Like Trucks" and "I Certainly Know Why" both sound as if they were recorded in a bar full of slightly drunk young women, and both are the better for it. One question: why does a 38-minute-long disc come packaged with a "bonus disc" that contains two additional songs, for a total running time of about 45 minutes? It's a mystery. Recommended. R1