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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
HANDEL, Paul Nicholson, Brandenburg Consort, Roy Goodman
Organ Concertos
- Organ Concerto in G minor, Op 4 No 1
- CD1
- 1 Movement 1: Larghetto e staccato [5:02]
- 2 Movement 2: Allegro [5:01]
- 3 Movement 3: Adagio [1:13]
- 4 Movement 4: Andante [4:13]
- Organ Concerto in B flat major, Op 4 No 2
- 5 Movement 1: A tempo ordinario e staccato [0:50]
- 6 Movement 2: Allegro [4:22]
- 7 Movement 3: Adagio e staccato [0:38]
- 8 Movement 4: Allegro ma non presto [3:29]
- Organ Concerto in G minor, Op 4 No 3
- 9 Movement 1: Adagio [3:24]
- 10 Movement 2: Allegro [3:41]
- 11 Movement 3: Adagio [0:56]
- 12 Movement 4: Allegro [2:03]
- Organ Concerto in F major, Op 4 No 4
- 13 Movement 1: Allegro [3:57]
- 14 Movement 2: Andante [4:17]
- 15 Movement 3: Adagio [1:05]
- 16 Movement 4: Allegro – Choral Alleluia [5:04]
- Clare College Choir Cambridge
- Organ Concerto in F major, Op 4 No 5
- 17 Movement 1: Larghetto [1:51]
- 18 Movement 2: Allegro [2:25]
- 19 Movement 3: Alla siciliana [1:28]
- 20 Movement 4: Presto [2:30]
- Organ Concerto in B flat major, Op 7 No 3
- 21 Movement 1: Allegro [5:02]
- 22 Movement 2: Organo ad libitum. Adagio [0:39]
- 23 Movement 3: Organo ad libitum. Fugue [2:35]
- 24 Movement 4: Spiritoso [4:19]
- 25 Movement 5: Menuets I/II alternativo [4:42]
- Organ Concerto in B flat major, Op 7 No 1
- CD2
- 1 Movement 1: Andante [4:37]
- 2 Movement 2: Adagio [3:42]
- 3 Movement 3: Largo e piano [3:02]
- 4 Movement 4: Allegro [2:03]
- 5 Movement 5: Bourrée. Allegro [2:18]
- Organ Concerto in A major, Op 7 No 2
- 6 Movement 1: Ouverture [2:10]
- 7 Movement 2: A tempo ordinario [4:26]
- 8 Movement 3: Organo ad libitum. Larghetto [2:14]
- 9 Movement 4: Allegro [5:57]
- Harp Concerto in B flat major, Op 4 No 6
- 10 Movement 1: Andante – Allegro [6:17]
- Frances Kelly (harp)
- 11 Movement 2: Larghetto [4:05]
- Frances Kelly (harp)
- 12 Movement 3: Allegro moderato [2:41]
- Frances Kelly (harp)
- Organ Concerto in D minor, Op 7 No 4
- 13 Movement 1: Adagio [5:00]
- 14 Movement 2: Allegro così così [4:08]
- 15 Movement 3: Organo ad libitum. Prelude [1:05]
- 16 Movement 4: Allegro [3:42]
- Organ Concerto in G minor, Op 7 No 5
- 17 Movement 1: Staccato ma non troppo allegro [3:25]
- 18 Movement 2: Organo ad libitum. Adagio [0:20]
- 19 Movement 3: Andante larghetto e staccato [3:32]
- 20 Movement 4: Organo ad libitum. Adagio [0:21]
- 21 Movement 5: Menuet [2:14]
- 22 Movement 6: Gavotte [2:04]
- Organ Concerto in B flat major, Op 7 No 6
- 23 Movement 1: Pomposo [3:31]
- 24 Movement 2: Organo ad libitum. Allemande [2:25]
- 25 Movement 3: Air. A tempo ordinario [2:38]
- Paul Nicholson - organ
- Brandenburg Consort - orchestra
- Roy Goodman - conductor
- HANDEL
Nagrody: R10 POUR REPERTOIRE, France 'The great coup of this new recording ... is to have secured the instrument on which the composer played. Nicholson's playing is unfailingly stylish' (The Times) 'The abiding impression is one of irrepressible tunefulness and joie de vivre … The instrument's special delight is the sweetness and delicacy of its flute stops … Here and elsewhere Nicholson plays with zest and virtuoso flair. The Brandenburg Consort match him in style and élan, while Frances Kelly is a graceful soloist' (Daily Telegraph) 'Highly recommended, not least for a glorious rendition of the Harp Concerto and the novelty of the briefest contribution of Clare College Choir in an Alleluia finale' (BBC Music Magazine) 'Incandescent music-making. Mr Nicholson, the fieriest of virtuosos, makes us remember that Handel, who wrote these pieces for himself, was an organist of legendary prowess. The Brandenburg Consort's luminous strings play with particular point and charm, thanks to Mr Goodman' (Dallas Morning News) 'Superbly played' (Organists' Review) 'Paul Nicholson's performances are musical, polished and wonderfully played and enjoyable to hear' (Cathedral Music)