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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Frank Sinatra
Ol' Blue Eyes Is Back
- Frank Sinatra - vocal
69.00 PLN
CD:
Nr kat.: 7599272092Label : Reprise
Ol' Blue Eyes Is Back Review by Stephen Thomas Erlewine [-] Frank Sinatra returned from his brief retirement in 1973 with the appropriately titled Ol' Blue Eyes Is Back. Released amidst a whirlwind of publicity, the album was a commercial success, earning gold status and nearly climbing its way into the Top Ten, but it wasn't a return to form. Produced by Don Costa, the album doesn't follow the sound of Sinatra's last handful of albums (Sinatra & Company, Watertown, A Man Alone, My Way), jettisoning then-recent pop hits for selections by upcoming songwriters, particularly Joe Raposo, as well as several current film and Broadway numbers. Much of the material is unmemorable, featuring slight melodies and clichéd, underdeveloped lyrics. The noticeable exceptions are "Send in the Clowns" and the moving "There Used to Be a Ballpark," both featuring sublime, subtle arrangements from Gordon Jenkins and outstanding singing by Sinatra. However, Jenkins' arrangements are undercut by the lethargic, uneventful production by Costa. Not that Jenkins' arrangements are all perfect -- on "Noah," one of the worst songs Sinatra ever recorded, his writing actually accentuates the banality of Raposo's tune. Much of the material is indicative of the lack of songwriting ingenuity in the early '70s; straddling the line between rock-inflected pop and traditionalist pop, most of the songs wind up making a small impression, if they make one at all. Apart from "Send in the Clowns" and "There Used to Be a Ballpark," there's little on Ol' Blue Eyes Is Back that's rewarding, and Sinatra recorded better versions of both of those songs.