Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
DVORAK, BRAHMS, Pierre Fournier, Zino Francescatti, Sir Colin Davis, Sir Malcolm Sargent, BBC Symphony Orchestra
Cello Concerto in B minor / Concerto for Violin and Cello in A minor
- Dvorak - Cello Concerto
- 01. Allegro (15:08)
- 02. Adagio ma non troppo (10:58)
- 03. Finale. Allegro moderato (12:14)
- Brahms - Double Concerto
- 04. Allegro (17:24)
- 05. Andante (8:07)
- 06. Vivace non troppo (8:57)
- Pierre Fournier - cello
- Zino Francescatti - violin
- Sir Colin Davis - conductor
- Sir Malcolm Sargent - conductor
- BBC Symphony Orchestra - orchestra
- DVORAK
- BRAHMS
59.00 PLN
CD:
Nr kat.: BBCL4149Label : BBC Legends
Neither of these historic performances could be proposed as a standard recommendation, though both have their own fascinations. Recorded in Edinburgh in 1955, the Brahms Concerto performance is decidedly mixed. The basic tempo of the first movement is almost unbearably ponderous and at times indecisive, with the secondary thematic material almost coming to a halt. There is no denying the beauty of some of the solo playing, in particular in the slow movement, and both players capture the whimsical side of the finale superbly. But coupled with some hazy orchestral playing and the rather cavernous mid-Fifties recording, this performance, though undoubtedly of documentary value, is certainly not a sound recommendation in the manner of Stern, Ma and Abbado. Pierre Fournier’s performance of the Dvorák Cello Concerto with Colin Davis is quite a different matter. Davis is excellent in moulding the tensions in the first movement and Fournier’s playing throughout is superbly expressive, marred only slightly by some constricted tone in the upper register near the start of the finale. While the 1973 recording is vastly superior to that of the Brahms, there is a slight tendency for the soloist to disappear behind woodwind detail in parts of the finale. Though well worth hearing, this live performance is not in the same league as Fournier’s classic recording with George Szell and the Berlin Philharmonic. Jan Smaczny https://www.classical-music.com/review/dvor%E2%80%A1k-brahms