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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Chantal Chamberland
Serendipity Street
ZamknijGaleria okładek
- Chantal Chamberland - vocal
329.00 PLN
LP-180G 33rpm:
Nr kat.: EVLP-004Label : Evosound (Japan)
Chantal Chamberland has a warm, toasty voice that can light up a dark nightclub and send a glow through her audience. She makes her third recorded outing on Dripping Indigo with a generous helping of songs, most of which dwell in areas that suit her pitch and trajectory perfectly. She gives the uptempo tunes a nice turn of fleck and dynamics, making this a fine showcase for a singer who deserves more attention. The Quebec-born singer has selected pieces that are ripe for the picking, including a line of jazz standards, a tune by the Bee Gees, and a couple of French songs. Her version of “Lover Man” is her own, with no attempt to do another Billie Holiday take-off. Her husky voicing, with a hint of breathiness, brings in a sexiness that alto saxophonist Paul White gives a deeper impact. A happy, frisky breeze flits across “I’m Beginning to See the Light” fired by a burst of joy from Bil Holianty's tenor sax. Chamberland shows a wider, more expressive range on “L’Hymne à l’amour” a heartfelt ballad that throbs with passion and serves as a fitting climax to an enjoyable record.
