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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Camiel
Sunset
- Camiel
The first solo album by producer and multi-instrumentalist Camiel is right on the edge of being terminally precious. The largely instrumental tunes were created with the basic building blocks of the most soulless smooth jazz records of the '70s and '80s: twinkling electric piano, electric guitars sent through chorus and/or wah-wah pedals, acoustic guitars fingerpicked Spanish-style, Barry White-style orchestral sweeps, polite Latin percussion that's there mostly for color instead of rhythm. There are even three songs (one of them in Spanish) that feature a Ken Nordine-like voice-over narrating a story about an anonymous bar pickup. In different hands, Sunset probably would have been terrible. What saves the album is Camiel's knack for arrangement, which sets the verging-on-naff elements of the record against subtle electronics and hypnotic rhythm patterns that make the album sound witty and tongue-in-cheek instead of kitschy. More melodic than the average club/dance record and a little too upbeat to serve as downtempo mood music, Sunset doesn't fit neatly into any trends, but it's an oddly charming record.
