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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Camiel
Sunset
- Camiel
The first solo album by producer and multi-instrumentalist Camiel is right on the edge of being terminally precious. The largely instrumental tunes were created with the basic building blocks of the most soulless smooth jazz records of the '70s and '80s: twinkling electric piano, electric guitars sent through chorus and/or wah-wah pedals, acoustic guitars fingerpicked Spanish-style, Barry White-style orchestral sweeps, polite Latin percussion that's there mostly for color instead of rhythm. There are even three songs (one of them in Spanish) that feature a Ken Nordine-like voice-over narrating a story about an anonymous bar pickup. In different hands, Sunset probably would have been terrible. What saves the album is Camiel's knack for arrangement, which sets the verging-on-naff elements of the record against subtle electronics and hypnotic rhythm patterns that make the album sound witty and tongue-in-cheek instead of kitschy. More melodic than the average club/dance record and a little too upbeat to serve as downtempo mood music, Sunset doesn't fit neatly into any trends, but it's an oddly charming record.
