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DOLLE, Petr Wagner, Jacques Ogg

Pieces de Viole avec la Basse Continue, op.2

Petr Wagner, Jacques Ogg - Charles Dolle : Pieces de Viole avec la Basse Continue, op.2 Premiere Suitte in G major - 01. I. Prelude (2:05) 02. II. Allemande: La Mantry (3:02) 03. III. Le Tendre Engagement (3:57) 04. IV. Rondeau: Le Gruer (2:20) 05. V. Sarabande (2:59) 06. VI. Fugue (3:43) 07. VII. Musette: La favoritte (2:55) 08. VIII. La Badine (2:30) Deuxieme Suitte in C minor - 09. I. Prelude (2:49) 10. II. Allemande: La Fiere (2:57) 11. III. Rondeau l'amoureux (3:20) 12. IV. Fantaisie: La Clausie (1:20) 13. V. Sarabande (3:23) 14. VI. Les Amusements (2:53) 15. VII. Tombeau de Marais le Pere (6:28) 16. VIII. Rondeau: La Weymar (1:55) Troisieme Suitte in A major - 17. I. Prelude (1:49) 18. II. Allemande: La Coudole (2:59) 19. III. Tambourin (1:21) 20. IV. Rondeau: Le Turpaux (2:24) 21. V. Musette (3:08) 22. VI. Rondeau: Le Difficille (2:41) 23. VII. Sarabande (3:05) 24. VIII. Carillon (4:29)
  • Petr Wagner - viola da gamba
  • Jacques Ogg - harpsichords
  • DOLLE
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59.00 PLN

CD:

Nr kat.: DOR93246
Label  : DORIAN (USA)

Charles Dollé is an extremely shadowy figure in the French viol-playing sphere, who belongs to the generation after Marais. He is listed in one source as a 'Maître de Viole' but he appears not to have held a court appointment. Otherwise the only information we have on him are his six publications: the first four of which were published in 1737, op. 5 in 1749 and op. 6 in 1754. Dollé's Pieces de viole for bass viol and continuo recorded here are his op. 2; op 1 is a set of trio sonatas and the remaining four collections are all for the highly popular mid-eighteenth-century instrument: the pardessus de viole - which was fashionable with society ladies to perform the latest Italian violin music. (The violin, held on one shoulder, was considered distorting and thus inappropriate for ladies to play; in contrast the pardessus de viole sat elegantly on their laps.)