Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BACH, Angela Hewitt
Italian Concerto and French Overture
- Italian Concerto in F major BWV971 [12'47]
- [ ] [3'41]
- Andante [5'38]
- Presto [3'25]
- Capriccio on the Departure of his Beloved Brother, in B flat major BWV992 [10'10]
- Arioso [1'58]
- Andante (fugato) [1'09]
- Adagissimo [3'17]
- Aria Introduction [0'28]
- Aria di postiglione: Adagio poco [1'04]
- Fuga all'imitazione della cornetta di postiglione [2'11]
- Capriccio in E major BWV993 [5'13]
- Four Duets [10'43]
- Duet in E minor, BWV802 [2'45]
- Duet in F major, BWV803 [2'32]
- Duet in G major, BWV804 [3'24]
- Duet in A minor, BWV805 [2'01]
- French Overture in B minor BWV831 [30'00]
- Overture [12'09]
- Courante [2'27]
- Gavotte I [1'23]
- Gavotte II [1'25]
- Gavotte I (da capo) [0'46]
- Passepied I [1'09]
- Passepied II [0'56]
- Passepied I (da capo) [0'43]
- Sarabande [4'00]
- Bourrée I [0'52]
- Angela Hewitt - piano
- BACH
59.00 PLN
CD:
Nr kat.: CDA67306Label : Hyperion
Angela Hewitt's recordings of J S Bach's keyboard works are rapidly being seen as the definitive modern survey on the piano. Such is her natural affinity for Bach's style, her aliveness to his dancing rhythms and her sensitive use of the modern instrument, that she is the natural successor to a prestigious line of great Bach pianists. This disc includes works from the second and third volumes of Bach's Clavierübung (Keyboard Practice). In the Italian Concerto and French Overture Bach demonstrates not only his skill as translating to the keyboard two of the most popular orchestral genres of the time, but also his natural assimilation of their respective national characteristics, while remaining true to his own style. These are among his happiest inspirations. The Italian Concerto brims with joyous thematic invention and allusions to solo and orchestral contrasts, while the French Overture (often called a Partita) is a lively dance suite. The Four Duets, rather like more mature Two-part Inventions, and the youthful Capriccios complete a sunny and inspirational disc.