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KAPSBERGER, ZIPOLI, Ensemble Abendmusik,

The Jesuit Operas

Utwory
Wykonawcy
Twórcy

Various - Kapsberger, Zipoli: Jesuit Operas 1 01. Kapsberger: Apotheosis Sive Consecratio S.S. Ignatii et Francisci Xaverii - Act 1: Ritornello (1:17) 02. - Nondum propinqui nuncius Phoebi (Roma) (0:54) 03. - Hic age roseis invecta rotis (Japan, Spain) (0:59) 04. - Sat est, sereno panditur coelo dies (Roma, Metagenes) (1:43) 05. - Spectata virtus rebus in magnis fidem (Roma, Metagenes) (0:52) 06. - Sacra coelo dum surgit strues (Roma) (1:04) 07. - Age praecipito moena lapsu (Chorus Romae) (0:45) 08. - Hinc bella geres, telumque manu (Soprano, Countertenor) (0:45) 09. - Tuque age loque lux alma plaga (Chorus Romae) (0:38) 10. - Nunc te superum complexa choris (Soprano, Bass, Countertenor) (0:21) 11. - Tibi sic geminus supplicat orbis (Chorus Romae) (0:21) 12. - Sed ecce festi sonitus auditur chori (Soprano) (0:20) 13. - En astra moles, vertice augusto tenet (Metagenes) (0:22) 14. - Illa ego regum nobilis altrix (Spain) (2:00) 15. - Ast ego regnis clara vetustis (Portugal) (1:49) 16. - Ergo age mecum fida juventus (Spain) (0:58) 17. - O quo fulgure praenitet (Soprano, Chorus Spain) (0:24) 18. - Iganti nitor igneus (Chorus Spain, Chorus Portugal) (0:38) 19. - Sic olim trepidis fulsit ab arcibus (Soprano) (0:47) 20. - Ergo iam litui sonent (Soprano, Chorus Portugal) (0:54) 21. - Ballo (1:56) 22. - Belli iam posuit furor (Spain, Portugal) (0:27) 23. - Ergo Romuleis pendula molibus (Tenor, Countertenor) (0:26) 24. - Ritornello; Atque hinc edomitis integra fluctibus (Soprano, Countertenor) (1:01) 25. - Ritornello (0:21) 26. - Ignis laudis amans, et calor (Bass) (0:24) 27. - Orbi Xaverius praetulit (Tenor) (0:25) 28. - Hoc igni macies, et mala febrium (Chorus Spain, Chorus Portugal) (0:44) 29. - Act 2: Ritornello; Divitis Ponti generosa partu (India) (2:24) 30. - Nulla cui sparsum sine lege crinem (Palestine) (2:30) 31. - Pone iam luctus hilarata quondam (India) (0:47) 32. - Huc Palestinis properate campis (Palestine) (0:55) 33. - Grata concurret meritis voluntas (India) (0:17) 34. - Ritornello (0:33) 35. - Vicit Iganti vaga flamma Pontum (Soprano, Countertenor, Tenor) (0:36) 36. - Ille vel castas celebrare cunas (Chorus Palestine, Chorus India) (0:56) 37. - Nunc ubi magna geminata Patri (Palestine, India) (0:38) 38. - Ballo (0:24) 39. - Bella quid flexo simulata nervo (Soprano, Countertenor) (0:39) 40. - Surgat e nostri novus orbis armis (Chorus India) (0:38) 41. - Noster hic Lembum simulabit arcus (Chorus Palestine) (0:38) 42. - Roma, quae versis Solymis triumphans (Chorus Palestine) (0:25) 43. - Illa tot regum generosa nutrix (Soprano, Countertenor) (0:25) 44. - Lentus hoc orbis videt, atque inultus (Tenor, Baritone) (0:31) 45. - Tu Palestinos Pater aequus audi (Palestine) (0:26) 46. - Tu triumphatis orientis oris (India) (0:20) 47. - Urat et natos studium parentis (Palestine, Chorus Palestine, India, Chorus India) (0:39) 48. - Act 3: Ritornello (0:29) 49. - Pacis amans, bellique potens (France) (0:52) 50. - Dum fas, dum superi jubent (Chorus France) (0:13) 51. - Si clara merito bellicis et ut (France) (1:13) 52. - Dum fas, dum superi jubent (Chorus France) (0:13) 53. - Mox illum in gelidis sequana fluctibus (France) (0:25) 54. - Dum fas, dum superi jubent (Chorus France) (0:13) 55. - Haec vos dum memori carmine dicitis (France) (0:23) 56. - Dum fas, dum superi jubent (Chorus France) (0:16) 57. - Ritornello (0:24) 58. - Armorum studio potens (Japan) (0:18) 59. - O cui luminis aurei (France) (0:24) 60. - In partem celebris me quoque gloriae (Japan) (1:24) 61. - Age nunc meos honores (Chorus Japan) (0:17) 62. - Age lympha iam sequaces (France) (0:16) 63. - Steterat rigente nuper (Bass) (0:29) 64. - Refer ut meis in radiantis (Japan) (0:16) 65. - Loyola sed rigentes (Tenor) (0:45) 66. - Hac veste praenitentes (Japan) (0:35) 67. - Sed flamma quae rigentes (Soprano, Bass); Nam turpe qui medullis (Soprano, Tenor) (0:35) 68. - Decorum beata messis (Soprano, Alto) (0:35) 69. - Age turba martiales (Chorus France, Chorus Japan); Morescha (1:01) 70. - Age nunc amica semper bona (France) (0:54) 71. - Vos arte Apollinari (Japan) (0:34) 72. - At tu receptus astris (France, Chorus France) (0:37) 73. - Tu dive de sereno (Japan, Chorus Japan) (0:47) 74. - Act 4: Ardet aer, ardet aequor (Chorus Italy) (0:19) 75. - Eia age, magnae moenia Romae (Italy) (1:31) 76. - Ardet aer, ardet aequor (Chorus Italy) (0:20) 77. - At mihi tantae gloria laudis (China) (1:35) 78. - Ardet aer, ardet aequor (Chorus Italy) (0:22) 79. - Sicque coeli concava pulsat (Italy) (0:31) 80. - Sic ubi genitor luminis almus (China) (1:32) 81. - Ardet aer, ardet aequor (Chorus Italy) (0:24) 82. - At tu diae munere flammae (Italy) (0:47) 83. - Et tu patriae prodiga mercis (China) (0:21) 84. - Ritornello et Ballo (0:54) 85. - Nulla vis seres inimica terret (Chorus China) (0:23) 86. - Ballo; Fortius gentes Italas tuetur (Chorus Italy); Ballo (0:52) 87. - Ignis ardentes mediis sub undis (Tenor) (0:18) 88. - Ignis aethnaeis latitan caminis (Soprano) (0:18) 89. - Solis effrenes glomerantur ignes (Chorus China) (0:23) 90. - Nube disclusus secat ignis auras (Bass) (0:25) 91. - Sole summotos agitante currus (Soprano) (0:25) 92. - Ignis at coelo proprior quieta (Alto) (0:30) 93. - Sol ubi aequatis radians haberis (Soprano, Countertenor) (0:24) 94. - Dive dum flamma propriore nostras (Italy) (0:19) 95. - Publicum festa damnus urbe ludum (Chorus Italy, Chorus China) (0:17) 96. - Lucis aeternae sator in reducto (China) (0:19) 97. - Publicum festa damus urbe ludum (Chorus Italy, Chorus China) (0:25)

Ensemble Abendmusik,

KAPSBERGER
ZIPOLI

99.00 PLN

2 CD:

Nr kat.: DOR93243
Label : DORIAN (USA)

The two operas on this recording sit pretty much at opposite ends of the baroque era, but both are connected through a dramatic/musical tradition that became part and parcel of the Jesuit enterprise throughout the seventeenth and into the eighteenth century. In recent years scholars have come to reflect on the "Jesuit way of proceeding," a rather amorphous notion that points not so much at what the Jesuits did in the period of early modern Catholicism, but rather how and why they did what they did during this period. . . . - T. Frank Kennedy, S.J.