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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BRUCKNER, Berliner Philharmoniker, Wilhelm Furtwangler
Symphony No 8
- 1. Symphony No. 8 In C Minor: 1: Allegro Moderato
- 2. Symphony No. 8 In C Minor: 2: Scherzo (Allegro Moderato) & Trio (Langsam)
- 3. Symphony No. 8 In C Minor: 3: Adagio (Feierlich langsam doch nicht schleppend)
- 4. Symphony No. 8 In C Minor: 4: Finale (Feierlich nicht schnell)
- Wilhelm Furtwangler - conductor
- Berliner Philharmoniker - orchestra
- BRUCKNER
Even those relatively immune to Wilhelm Furtwängler's conducting of the classics admit that his Bruckner stands with the finest ever recorded. That describes this Eighth, recorded live in March, 1949 (but without an audience present) for broadcast recording. Like most of Furtwangler's nonstudio recordings, it bristles with fervor. The slow movement, especially, has a humanity barely approached by most rivals. Of his several Bruckner Eighths on record this one is the most successful in its blend of sustained long lines and improvisatory detail. Furtwangler's command of structure and the intensity of his reading make this vital for all Bruckner fans. The sound is satisfying, despite some graininess and occassional congestion. (Dan Davis, allmusic.com)