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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BRUCKNER, MOZART, Eugen Jochum, Royal Concertgebouw Orchestra
Symphony No. 5 / Symphony No. 36 Linz
Eugen Jochum was a modest man who did not use the media to draw attention to himself but rather to document his musical intentions. And right from the very beginning he focussed on magnitude. Aged only 23, he made his debut in Munich with Bruckner’s Symphony No. 7 and so laid the foundations for his lifelong devotion to the Austrian composer’s works, as is demonstrated by his complete recording of the Symphonies that was made during the years 1958–1967. The present account of the Fifth Symphony was recorded roughly half way through his thorough exploration and study of Bruckner’s symphonic works. From the very beginning, the Concertgebouw Orchestra strides majestically towards the Finale with its sonorous brass sound in the chorale, and fugal sections. A divine atmosphere is guaranteed – quite literally – by the work being performed in the hallowed halls of the Benedictine Abbey in Ottobeuren to celebrate its foundation 1200 years ago. Jochum’s fresh and scholarly account of Mozart’s “Linz” Symphony reminds us of his superb mastery of the Viennese Classics. The music, which ranges from festive cheerfulness to abrupt gloominess, is resolutely conducted – with the happy result that the hackneyed image of Jochum as an otherworldly specialist of the Romantic era is completely abolished. Measured against the conductor’s self-concept as a universal medium for expressing the ideas of the great maestros, the present recording is a befitting portrait of his superb versatility on the rostrum.
