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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
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Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
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Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BRUCKNER, Wolfgang Sawallisch, Bayerisches Staatsorchester
Symohonie No. 5
119.00 PLN
LP-160G:
Nr kat.: S241911Label : Orfeo
Bruckner?s Fifth has received more lousy performances than any of his symphonies, and accordingly few great ones. The best, for my money, remain Gielen (Intercord), Abbado (DG), Skrowaczewski (Oehms), and Jochum II (EMI), but this may be the greatest of them all. It?s one of those performances where everything just goes right. The orchestra plays with true feeling for the idiom. The strings remain alert, giving life to their acres of tremolo and even the least interesting accompaniment. The brass sound distinct within their sections but blend beautifully in the chorales, and make a big sound that never turns crude.
Sawallisch and his engineers achieve ideal balances that let the big moments ride on a cushion of strings supported by firm timpani. This means that the final climax glides and soars as Bruckner intended. Listen to the closing pages and to the way Sawallisch assembles the long line of triumphant sonority?it?s never been done better (first sound clip). But there are just as many great moments along the way. The scherzo is a miracle of dance-like rhythms and dynamic, eruptive outbursts, its multiple tempo areas perfectly judged (second sound clip). The Adagio, too, has all of the necessary gravity, but at just shy of 17 minutes it?s neither too slow, nor too swift.
Finally, (or initially) the symphony opens very impressively, those grand unison phrases and answering chorales full of tension and anticipation of the argument to come. The allegro, when it arrives, carries with it a genuine physical impulse. Really, Sawallisch never made a finer recording than this one. Out of print for many years, it seems to be available once again. Grab it while you can.
-- David Hurwitz, ClassicsToday.com