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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BRAHMS, Leonid Kogan, Kiril Kondrashin
Violin Concerto
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This handsome LP from EMI / Regal (SREG 1095, English EMI pressing. blue/silver label, stereo, glossy laminated jacket) features Leonid Kogan's masterful rendition of Brahms's Violin Concerto in D Major Op. 77, recorded at EMI Studio No. 1, Abbey Road, London, on 22 February 1959 with Kyril Kondrashin conducting the Philharmonia Orchestra on truly magisterial form. Kogan plays Joachim’s cadenzas.
Wrote the critic R.F. in his review for the July 1960 issue of The Gramophone: “Of the four stereo versions of the Brahms Violin Concerto, the new Kogan shares top place with the recent Grumiaux disc. Kogan gives a romantic performance similar to Menuhin's though not, I think, quite reaching the heart of the music so successfully. But he is more realistically recorded. Menuhin, a shade too prominent on the mono, is almost too distant on the stereo and lacks a definite position; there seems too, to be some loss of quality on the violin itself.
“Kogan's instrument on the other hand is beautifully placed in the first movement, and sounds magnificent. As on the mono he appears to be a shade closer in the later movements, but not enough to matter. Szeryng by comparison has a hard quality that possibly suits his efficient but rather cold approach, and I do not think that this is a performance you would grow to love. Grumiaux on the other hand is at least as well recorded as Kogan, though his playing perhaps has not quite the same drive and penetration. I'm not sure I wouldn't sooner have the Menuhin mono disc than any of them.”
Incidentally, the liner notes on the reverse side of the jacket, in English only, were written by W.A. Chislett.
Leonid Kogan
Kyril Kondrashin
Philharmonia Orchestra
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