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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BRAHMS, The Cleveland Orchestra, George Szell
Symphony No. 1
159.00 PLN
LP-180G 33rpm:
Nr kat.: BC1010Label : SpeakersCorner
Contemporary critics tended to regard Brahms's First Symphony as follow up to Beethoven's nine symphonies, arising from its lofty, solemn expression, its melodramatic construction and occasional motivic similarities. Fully conscious of the tremendous symphonic heritage left by Beethoven, it took Brahms 14 years to complete his symphony and present it to the public. The desolate seriousness, the disconcerting asceticism in the short themes of the work, which "does not recommend itself on account of its charm" (Brahms), has tempted many an interpreter to tone the performance down emotionally or to enhance the drama. The maestro George Szell avoided such dangers by tackling the score dauntlessly. The agonizing minor-key introduction in 6/8 time surges steadily onwards, the tempi remain taut, whilst all the details of the jagged score are brought to the fore. In the final movement the noble 'Alphorn' theme strides forward, and is escalated by the syncopated strings that rush on with breathless furioso. The sheer number of recordings of this monumental work is an indication that the listener must work hard to discover all the fascinating aspects in each bar of Brahms's composition. The present recording is well qualified for this undertaking.
