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Dlaczego wszystkjie inne nie brzmią tak jak te?
ENCYKLOPEDIA arcydzieł
SCHUMANN, PROKOFIEV, LISZT, CHOPIN, Evgeny Kissin
Carnegie Hall Debut Concert - September 30, 1990
Jeden z najbardziej spektakularnych debiutów ostatniego półwiecza!
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Cartridge Alignment Gauge - uniwersalny przyrząd do ustawiania geometrii wkładki i ramienia
Jedyny na rynku, tak wszechstronny i właściwy do każdego typu gramofonu!
ClearAudio
Harmo-nicer - nie tylko mata gramofonowa
Najlepsze rozwiązania leżą tuż obok
IDEALNA MATA ANTYPOŚLIZGOWA I ANTYWIBRACYJNA.
BRAHMS, Karl Bohm, Berliner Philharmoniker
Sinfonie Nr. 1 C-moll Op.68
ZamknijGaleria okładek
- Karl Bohm & Berliner Philharmoniker - Brahms: Symphony No.1
- 01. I. Un poco sostenuto - Allegro (12:40)
- 02. II. Andante sostenuto (9:34)
- 03. III. Un poco allegretto e grazioso (4:33)
- 04. IV. Adagio - Piu andante - Allegro non troppo, ma con brio (16:34)
- Karl Bohm - conductor
- Berliner Philharmoniker - orchestra
- BRAHMS
269.00 PLN
LP-180G 33rpm:
Nr kat.: LP43065Label : Analogphonic
Karl Bohm conducts the Berliner Philharmoniker for this recording of Brahms' First Symphony. "This performance of the (Brahms) First Symphony is formidable competition for even the best that the current catalogue can offer. Böhms (Brahms Symphony No.1) is a performance of wonderfully rich detail, the woodwind soli full of character, the orchestral colouring beautifully judged: where Karajan presents a blended totality of sound, Böhm is intent that we should see both the wood and the trees. Böhms view of the Symphony is urgent and vigorous: though he does not miss the broad strength of the introduction, the ensuing allegro has a purposeful athleticism that contrasts most strikingly with the heavy grimness of Karajans reading. The introduction to the finale is also an instructive comparison: Karajan sees it as an eloquent lament, Böhm as a transition of unbearable tension one almost dreads that the great C major theme will not, after all, arrive. This is a noble performance that no Brahmsian should miss hearing, regardless of his current preferences; it is excellently recorded." - The Gramophone Magazine
