Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BELLINI, Elinor Ross, Mario del Monaco, Fiorenza Cossotto, Gianandrea Gavazzeni
Norma
ZamknijGaleria okładek
“Elinor Ross is a dramatic soprano particularly associated with the Italian repertory. She made her début with the Cincinnati Opera in 1958, as Leonora in IL TROVATORE, opposite Jussi Björling, Giulietta Simionato and Ettore Bastianini. She went on singing at the opera houses of Boston, Chicago, Baltimore, Philadelphia, San Francisco, New Orleans, Houston, Hartford, etc. In 1968, she appeared at Carnegie Hall in the American premiere of Verdi's ALZIRA, and made her début at the Metropolitan Opera in 1970, in the title role of Puccini's TURANDOT. Ross also enjoyed a successful international career, appearing at La Scala in Milan, La Fenice in Venice, the opera houses of Bologna, Palermo, Florence, Verona, the Vienna State Opera, the Berlin State Opera, the Teatro Colón in Buenos Aires, etc. Her repertoire included roles such as Abigaille, Lady Macbeth, Amelia, Leonora, Elisabetta, Aida, Gioconda, Santuzza, Maddalena, Tosca, Donna Anna, Medea, Norma, etc. Ross was forced into retirement in 1979 due to illness.”
