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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BEETHOVEN, Elly Ney
Piano Sonatas No. 8 C minor op. 13 (Pathetique), No. 14 C sharp minor op. 27 No. 2 (Moonlight Sonata), No. 23 F-minor op. 57 (Appassionata), No. 31 A-flat major op. 110
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2 LP-180G 33rpm:
Nr kat.: LP43175Label : Analogphonic
Her face is unforgettable; here, surely is wisdom and a matured sense of values such as we seldom find, and that view is supported by her playing. In the final movement of the "Moonlight Sonata" does she perhaps overdo the little hesitations on the barlines? Is the middle movement too slow? Perhaps, but after all it is marked allegretto, and this slow tempo, which may well be right, grows on you ... She is best in the variations, where her playing takes on an almost mesmeric quality. The finale is not polished, but effective enough, and, like Browning, she makes the long repeat in the second half, a repeat which Fischer says is always disregarded. In her hands the repeat seems meaningful and well worth making.
