Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Antonio Farao, Chris Potter, Jack Dejohnette
Thorn
59.00 PLN
CD:
Nr kat.: ENJ93992Label : Enja
Any pianist who can attract the likes of drummer Jack DeJohnette and bassist Drew Gress as part of a trio, and is joined by chic saxophonist Chris Potter on a few tracks, must have something going for him. Antonio Faraò swings confidently on this set of original compositions, and although his playing is a tad derivative, there is no doubting his talent. The pianist fits in comfortably with his all-star colleagues, leaving little question that he has the ability to ride with the giants. His two-handed facility finds him equally at home with varied tempos and rhythmically challenging phrases. On the obstacle course he calls "Arabesco," the pianist marches forward, backtracks, and then continues his progression, following a scintillating improvisation by the often dazzling Chris Potter. On "B. E.," Faraò plays it pretty and gentle, but not too sweet. Unlike some Italian jazz modernists, Faraò does not add humor to the mix, and his compositions and solos do not covertly display the influences of his native land. Rather, his is a universal language that is as at home in Rome, Italy, as in New York City. While he adds little that is new, his solid technique and command should feel right at home anywhere on the globe; that is, where the universal language of modern jazz is spoken.