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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
ADAM, AUBER, HEROLD, SUPPE, NICOLAI
Ouvertures in Hi - Fi
129.00 PLN
LP-180G 33rpm:
Nr kat.: SXL2008Label : SpeakersCorner
Even the loveliest and lengthiest opera would seem so incomplete without an overture, like a male model without his socks. The other way round is no problem, though ideally the overture music should already contain the musical synopsis which later unfolds pleasurably into the arias and choruses. Of the six instrumental powerhouses heard here, three have their origin in the French opera comique tradition and the three others originate in the colourful musical life of the Austrian monarchy, and all are given the full limelight here by Albert Wolff and the orchestra of the Paris Conservatoire. One is amazed at the way in which the maestro’s brisk pace still allows the listener to sample the subtleties which otherwise tend all too often to be subsumed into the sweet array of melodies. Served up with a good eye and a light touch, the more calmly flowing passages also unfold their full, fragrant aroma of chamber-music style clarity. A delicate titbit and at the same time a listening tip: Reznicek’s “Donna Diana” overture. This piquant piece - which is not terribly easy to get hold of in digital form - enjoys a rarity value on vinyl and without doubt belongs in this repertoire. This title has been deleted and is therefore no longer available