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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Young Dubliners
Real World
- Young Dubliners - group
64.00 PLN
CD:
Nr kat.: 708761907728Label : Narada
AllMusic Review by James Christopher Monger [-] The Young Dubliners may no longer be the sprightly lads who met in a Los Angeles pub in the early '90s, but the Irish-American quintet's highly accessible blend of Celtic and roots rock has lost none of its fiery spirit. While parenthood and other forbidden rock & roll notions may have crept into the fold, chief songwriter Keith Roberts handles these new responsibilities with care, capably juggling the wonders of family life ("Evermore"), post-9/11 paranoia ("Say It's So"), and good old-fashioned Blarney-revelry ("Waxies Dargle") with equal parts mischief and heartfelt candor on the group's fifth record, Real World. His Bono-esque croon serves the songs well, especially the energetic opener that doubles as the album's namesake -- like "Touch the Sky," with its anthemic chorus and Uilleann pipe lead, it blends the two genres so effectively that it never sounds like a gimmick. These are reliable songs from a reliable band, and while skeptics may decry their U2-meets- the Hooters brand of adult alternative rock as contrived, there's no grandstanding here, just a group of guys who love to play together and do it extremely well.