Otello
Dramma lirico in quattro atti
(Libretto: Arrigo Boito / tratto dalla tragedia di Shakespeare)
Wiener Staatsopernchor
Wiener Grossstadtkinderchor
Wiener Philharmoniker
Conducted by Herbert von Karajan
Otello - Mario del Monaco (Tenor)
Desdemona - Renata Tebaldi (Soprano)
Jago - Aldo Protti (Baritone)
Cassio - Nello Romanato (Tenor)
Emilia - Ana Raquel Satre (Mezzo-Soprano)
Lodovico - Fernando Corena (Bass)
Montano - Tom Krause (Baritone)
Roderigo - Athos Cesarini (Tenor)
Un araldo - Libero Arbace (Bass)
Sung in Italian
Recording Producers: John Culshaw & Christopher Raeburn
Recording Engineer: Gordon Parry
Recorded: May 1961, Vienna, Sofiensaal
Re-mastering:
Producer: Motoaki Ohmachi (ESOTERIC COMPANY)
Mastering Engineer: Kazuie Sugimoto (JVC Mastering
Center Daikanyama Studio)
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW
The reissue of classical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master
sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality. This series marks the first hybrid SACD release of historical recording
selections that have been mainstays of the catalog since their initial release.
These new audio versions feature ESOTERIC’s proprietary re-mastering process to achieve the highest level of sound quality.
Experience by yourself…
Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the “soul” hidden within the notes, but never before found in previously released recordings in any format.
ESOTERIC equipment used for re-mastering
The criterion of re-mastering is to faithfully capture the quality of the original master. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model Grandioso G1 and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session.
This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master.
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SCHUBERT, STRAVINSKY, MOZART, The Allegri String Quartet - Arpeggione Sonata // Three Pieces for String Quartet // Three Pieces for Clarinet Solo // Clarinet Quintet in A Major
SCHUBERT, MENDELSSOHN, The Norwegian Chamber Orchestra - Symphony No. 5 in B Flat // Symphony No.4 in A