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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
The Lionel Hampton Quintet
The Lionel Hampton Quartet
139.00 (169.00) PLN
LP-180G 33rpm:
Nr kat.: MGC673Label : SpeakersCorner
?They were known as The Perfect Quartet! And it wasn?t just their producer Norman Granz, surely not unbiased as to the greatness of his jazz musicians, who called them so. So it was only logical to put this Super-Quartet together. Just as the start of his career, the great Oscar Peterson was eager to show off all that he had learned from copying and listening to his maestro Art Tatum; Ray Brown provided swing and bop which he had perfected in Dizzy Gillespie?s big bands; Buddy Rich, billed as 'the world?s greatest drummer', could lend impetus to simply any band; and the grandmaster of the sticks, known as 'The Hamp', could hammer away at the vibraphone just as Benny Goodman before him ? full of verve and swing, rhythmic and melodic, ecstatic and sensitive. This release on the Clef label, with a fitting cover by David Stone Martin, contains four numbers: two from the Quartet?s first session, and two from the second six months later. All four are an ideal starting point for lengthy improvisations much in the style of the Jazz At The Philharmonic idea, but without winds, just with a rhythm group. Nevertheless, not a single second is dull or boring, and if you were sitting in the audience at the concert you?d be crying out ?more, more, more!?. The lucky person with this re-release in his collection just needs to turn the LP over and set the needle down on the groove for more, more, more! Recording: ?September 1953 and April 1954 in New York City Production: Norman Granz
