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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
The Heath Brothers
Paris 76
189.00 PLN
LP-180G 33rpm:
Nr kat.: SRLP29Label : Sam Records
Michael Fremer Rated 9/10 Music, 8/10 Sound! Sam Records is proud to present a live recording The Heath Brothers gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of "One for Juan," the band perform two tracks from the Marchin' On! album, "Watergate Blues" and a wonderful version of "Smilin' Billy." "That was the first Heath Brothers album. Stanley Cowell had started the Strata-East label with Charles Tolliver, and they engaged us to do a record. It was a family affair, and we adopted Stanley because we thought he was amazing. That was a different type of record for us. We recorded it while we were on tour in Oslo, Norway. We used to get on the train and travel around Europe, and we'd be playing in these cabins on the train. Percy played a bass with a cello body that Ray Brown created, Tootie and I played flutes, and Stanley played a chromatic African thumb piano. People would stop and listen to us on these trains going from one country to the next, and it was something that they liked. It was like a chamber-music group. So we decided to include that sound on the record". — Jimmy Heath, I Walked With Giants: The Autobiography of Jimmy Heath The sound is seriously fine with the instruments all well-recorded and closely mic'd and mixed in wide-soundstage stereo. The high resolution digital transfer and restoration leaves nothing on the table in terms of spaciousness, overall transparency, instrumental three-dimensionality and macro dynamic slam—Albert's drum kit on the right channel discharges powerful sonic spasms and the reedy quality of Jimmy's soprano sax is on full textural display. Cowell's mbira is particularly well reproduced, especially the transient metallic 'pluck' surrounded by lots of air... You won't regret picking one up for both the musical and sonic pleasure. And the packaging as well. -Michael Fremer, Tracking Angle, Music 9/10, Sound 8/10 Musicians Jimmy Heath tenor & soprano saxophone, flute Stanley Cowell piano, mbira Percy Heath bass, "baby bass" Albert 'Tootie' Heath drums, flute, African double-reed instrument