Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
SHOSTAKOVICH, SCHCHEDRIN, Joachim Kwetsinsky
Polyphonic dialogues
- Kwetzinsky - Polyphonic dialogues
- 01. Basso Ostinato (4:31)
- 02. P & F No 1 en ut majeur (0:37)
- 03. P & F No 1 en ut majeur (1:41)
- 04. P & F No 2 en la mineur (0:46)
- 05. P & F No 2 en la mineur (3:29)
- 06. P & F No 2 en la mineur (0:59)
- 07. P & F No 2 en la mineur (1:31)
- 08. P & F No 4 en mi mineur (2:53)
- 09. P & F No 4 en mi mineur (5:02)
- 10. P & F No 3 en sol majeur (1:15)
- 11. P & F No 3 en sol majeur (2:17)
- 12. P & F No 3 en la majeur (0:32)
- 13. P & F No 3 en la majeur (2:03)
- 14. P & F No 5 en ré majeur (1:45)
- 15. P & F No 5 en ré majeur (1:50)
- 16. P & F No 7 en la majeur (1:35)
- 17. P & F No 7 en la majeur (2:43)
- 18. P & F No 8 en fa dièse mineur (1:15)
- 19. P & F No 8 en fa dièse mineur (2:14)
- 20. P & F No 10 en ut dièse mineur (2:01)
- 21. P & F No 10 en ut dièse mineur (1:57)
- 22. P & F No 12 en sol dièse mineur (4:54)
- 23. P & F No 12 en sol dièse mineur (3:53)
- 24. P & F No 15 en ré bémol majeur (3:06)
- 25. P & F No 15 en ré bémol majeur (1:59)
- 26. P & F No 14 en mi bémol mineur (0:41)
- 27. P & F No 14 en mi bémol mineur (2:38)
- 28. P & F No 19 en mi bémol majeur (0:52)
- 29. P & F No 19 en mi bémol majeur (1:25)
- 30. Toccatina-collage (1:41)
- Joachim Kwetsinsky - piano
- SHOSTAKOVICH
- SCHCHEDRIN
99.00 PLN
SACD Multi-CH:
Nr kat.: 2L63Label : 2L (Norway)
The Russian composers Dmitri Shostakovich and Rodion Shchedrin each composed a set of 24 preludes and fugues for solo piano. When a selection from these sets are combined into a new arrangement, we get POLYPHONIC DIALOGUES that move between the boarders of tonality, often with rhythmic elements from the world of jazz. The dialogues are characterized by humour and irony, but also by melancholy and anger. There is a lot of playfulness, combined with seriousness, with perhaps a little greeting from Bach. The polyphonic structure allows many voices to be heard at the same time. Sometimes disharmony arises, other times harmony; the distinctive character of each voice is preserved, however, while still giving the feeling that they belong together. It is precisely such a combining of voices which reveals life's diversity and complexity in human experience. Or to put it in the words of the Russian composer Mikhail Glinka, "everything in life is counterpoint; that is, contrast".