Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Shannon McNally
Geronimo
- Shannon McNally - vocal
69.00 PLN
CD:
Nr kat.: 724347726927Label : Narada
While Shannon McNally's 2002 debut Jukebox Sparrows had promising stretches, it also opted too much for middle of the road, adult-ish pop/rock. 2005's Geronimo arrives via Back Porch, a Capitol boutique imprint that also carries mature acts like the BoDeans and Chip Taylor and Carrie Rodriguez, so there's an adult quality to this one, too. But it's a huge step forward stylistically, punching up the country influences and humid barroom swagger that simmered beneath Jukebox's too-clean surface, and letting the smoky ends of McNally's syllables linger over the warmth of acoustic guitars, standup bass, Hammond B3, and pedal-steel. The title track has a great, mournful echo about it, like Paula Frazer's songs, and her laconic cover of Bobby Charles' "Tennessee Blues" nods to the record's New Orleans recording sessions. (Not to mention the Band overtones coursing through most of it.) The urgent "Hard Way" has a Little Feat feel, and "Leave Your Bags by the Door" is the album's tender moment, a dusky love theme awash in pump organ and McNally's hushed delivery. It also features some of her strongest lyrics. McNally really has something with Geronimo. It's a record of a piece with peers like Shivaree, because McNally understands that pain, mystery, and storytelling aren't part of a formula.
