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SARASATE, KREISLER, FAURE, RACHMANINOV, YSAYE, Ruggiero Ricci, Los Angeles Chamber Orchestra

Ruggiero Ricci - The Glory of Italian

01 Zapateado. Composer: Sarasate 03:56 02 Melodie. Composer: Tchaikovsky 03:15 03 Flight of the Bumblebee. Composer: Nikolai Rimsky-Korsakov 01:15 04 Zigeunerweisen. Composer: Sarasate 08:34 05 Schon Rosmarin. Composer: Fritz Kreisler 02:04 06 Russian Cigànsky Dance. Composer: Aladar Mozi 05:46 07 Caprice in A Minor. Composer: Henri Wieniawski 01:10 08 Recitativo and Scherzo. Composer: Fritz Kreisler 04:17 09 Scherzo-Tarantelle. Composer: Henri Wieniawski 04:46 10 Aubade Provencale. Composer: Fritz Kreisler 02:52 11 Entr'acte. Composer: Jacques Ibert 03:27 12 Berceuse From Dolly Suite. Composer: Gabriel Fauré 02:25 13 Variations on a theme by Corelli (in the style of Tartini). Composer: Sergei Rachmaninov 03:47 14 Piece en forme de Habanera. Composer: Maurice Ravel 02:55 15 Pizzicato Waltz. Composer: Georges Boulanger 02:23 16 Sicilienne and Rigaudon (in the style of Francour). Composer: Fritz Kreisler 03:50 17 Hora Staccato. Composer: Grigoraș Dinicu 02:22 18 Encore. Composer: Enescu 01:29 19 Obsession from Sonata No. 2 in A minor, Op. 27, No. 2. Composer: Eugène Ysaÿe 02:24 20 Budapest Party. Composer: Enescu 01:38 21 Mein Herz Composer: Enescu 02:25
  • Ruggiero Ricci - violin
  • Los Angeles Chamber Orchestra - orchestra
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189.00 PLN


Nr kat.: HDS283
Label  : ABC Int. Records

ULTRA Analog CD - AAD is a Digital Copy Of The Master Tape - SILVER CD

Cząsteczki srebra są jednolite i mają stały współczynnik odbicia, co zapewnia równą, reprodukcyjną jakość dźwięku. Posrebrzany `CD 6N ma również wyższy współczynnik odbicia niż 24-karatowe złoto. 6N - Czyste Srebro! Ruggiero Ricci began playing the violin at age six, with Louis Persinger. Later teachers included Michel Piastro, Paul Stassevitch and Georg Kulenkampf. As Ricci advanced into his teenage years, some critics suggested that his technical talent was overtaking his interpretive ability. Yet it was at this time that Mr. Ricci plowed into the music that would later help him reinvigorate his career: the 24 Caprices, Paganini’s fiery and daunting works for solo violin. He played the pieces frequently during World War II, alone on stages in front of soldiers while he served as an “entertainment specialist” in the Army Air Forces. Ricci had always been fascinated by Paganini and it was through intense study of his music that he overcame many of the difficulties of the solo repertoire. He carefully analyzed all 24 Paganini Caprices down into a system where he could see Paganini's manner of fingering, shifting and bowing. He claimed that he learnt more about technique from Paganini than from any of his teachers. In fact, Ricci was the first violinist to record all 24 Caprices. Besides, Kreisler and Heifetz were the violinists Ricci most emulated during his formative years, he said." There are many great violinists. But I would say Kreisler was representative, and Heifetz was representative. They're both different, but they both have a stamp, or a style," Ricci said. "I don't care what anyone tells you, when you learn anything, you copy. You can't help being influenced by whatever you hear. So sometimes we're a composite of different influences. I'm a composite of Kreisler influence, Heifetz influence. Those two. I think people recognize my style, that it's not a copy of Heifetz, or of Kreisler. But they did influence me."


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