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BEETHOVEN, Bruno Walter
Symphony No. 6 'Pastorale'
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RODGERS, HAMMERSTEIN, Julie Andrews
Sound Of Music
EGZEMPLARZE NUMEROWANE Z PLATYNOWEJ PARTII 250-500 SZTUK!
NAIM Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Elixir of Sound
Nowa, jeszcze bardziej skuteczna receptura! Najlepszy na rynku płyn do igieł gramofonowych
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Poziomica gramofonowa - Dosenlibelle - Precision Bubble Level
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ROSSINI, Marilyn Horne, Francesco Araiza, Sesto Bruscantini, Montserrat Caballe, Orchestra and Chorus of the San Francisco Opera, Claudio Scimone
La Cenerentola
ZamknijGaleria okładek
- La Cenerentola
- Marilyn Horne, soprano (Angelina)
- Francisco Araiza, ténor (Don Ramiro)
- Sesto Bruscantini, baryton (Dandini)
- Paolo Montarsolo, basse (Don Magnifico)
- Emilia Ravaglia, soprano (Clorinda)
- Teresa Rocchino, mezzo-soprano (Tisbe)
- Giorgio Tadeo, basse (Alidoro)
- Chœur & Orchestre, direction Claudio Scimone
- -------------------------------------------------------
- Bonus *
- Montserrat Caballé & Marilyn Horn en concert
- Montserrat Caballé
- Georg Friedrich Händel : Jules César
- Acte II scène 8 (Cléopatre) : "Che senti, o Dio, se pietà di me non senti ?"
- Antonio Vivaldi : Bajazet : "Sposa son disprezzata"
- Marilyn Horn
- Georg Friedrich Händel
- Rinaldo, acte III, scène 9 (Rinaldo) : "Or la tromba"
- Rodelinda, acte I, scène 6 (Bertarido) : "Dove sei, amato bene ?"
- Marilyn Horn & Montserrat Caballé
- Gioachino Rossini
- La Donna del lago, acte I, scène 7 (Elena, Malcolm) : "E del fatal conflitto - Vivere io non potrò"
- Marilyn Horn
- Tancrède, acte I, scène 5 : "Oh patria !... Di tanti palpiti"
- Marilyn Horne - soprano
- Francesco Araiza - tenor
- Sesto Bruscantini - baritone
- Montserrat Caballe - soprano
- Orchestra and Chorus of the San Francisco Opera - orchestra
- Claudio Scimone - conductor
- ROSSINI
Gerardo Cabrera Munoz 5.0 out of 5 stars Greatest Cenerentola ever. December 4, 1999 Teresa Berganza is the finest Rossini mezzo by far. Her voluptuous, sensuous, splendid voice is one of the miracles of the Century. She is both touching and brilliant, and can run those scales without looking back. For those young enough who didn't hear her in her prime, let me tell you that no other mezzo even compares, not Bartoli, not Von Stade, simply no one except Conchita Supervia, but she died in the 30's. Everything else is sensational in this recording, including of course the magisterial conducting of the then very young Claudio Abbado. The Bartoli/Chailly recording is very good, but this one is so much better. It's one of the finest Rossini recordings ever!