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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Ron Wood
Gimme Some Neck
180g High Quality Vinyl! 100% Analogue! This 1978 recording features Ron Wood joined by the likes of Mick Jagger, Keith Richards, Mick Fleetwood, and more! 'Gimme Some Neck' - words with a double meaning! Ron Wood’s demand for a guitar and/or a bottle serves well to demonstrate both his lifestyle and his commitment to music. On the one side he is a rock’n’roll legend who played his way up the career ladder beginning with the Jeff Beck Group via The Faces to become a member of The Rolling Stones. On the other side we hear a man who was not adverse to the odd drink now and again, but who was a musician through and through, and whose slick hands conjured magical waves of sound on his slide guitar. This sound is brilliantly demonstrated in the opening number "I Don’t Worry No More", with its bluesy, earthy honky-tonk groove. It is followed by "Breakin’ My Heart", which gives us a glimpse of Wood’s soul by means of sharp organ chords which come from a psychedelic abyss. Then he turns another corner to take us to the gentle, sensitive poetry of "Delia" with an unamplified guitar. Woods presents "Buried Alive" and "Come To Realize" with powerful vocals and enough power for a stage performance, and then comes a previously unreleased song by Bob Dylan - "Seven Days", in which he sounds more like Big D than D himself. But this is no cover version for Wood’s personality is more than alive and kicking. Ron Wood remains Ron Wood - totally distinctive and quite inimitable.
