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RACHMANINOV, Steven Osborne

24 Preludes

  • Morceaux de fantaisie, Op 3
  • 1 No 2: Prelude in C sharp minor. Lento [4'51]
  • Preludes, Op 23
  • 2 No 01: F sharp minor. Largo [3'44]
  • 3 No 02: B flat major. Maestoso [3'42]
  • 4 No 03: D minor. Tempo di minuetto [3'34]
  • 5 No 04: D major. Andante cantabile [5'22]
  • 6 No 05: G minor. Alla marcia [3'55]
  • 7 No 06: E flat major. Andante [3'08]
  • 8 No 07: C minor. Allegro [2'39]
  • 9 No 08: A flat major. Allegro vivace [3'41]
  • 10 No 09: E flat minor. Presto [2'00]
  • 11 No 10: G flat major. Largo [3'52]
  • Preludes, Op 32
  • 12 No 01: C major. Allegro vivace [1'06]
  • 13 No 02: B flat minor. Allegretto [2'55]
  • 14 No 03: E major. Allegro vivace [2'20]
  • 15 No 04: E minor. Allegro con brio [5'10]
  • 16 No 05: G major. Moderato [2'55]
  • 17 No 06: F minor. Allegro appassionato [1'22]
  • 18 No 07: F major. Moderato [2'08]
  • 19 No 08: A minor. Vivo [1'38]
  • 20 No 09: A major. Allegro moderato [2'56]
  • 21 No 10: B minor. Lento [5'49]
  • 22 No 11: B major. Allegretto [1'59]
  • 23 No 12: G sharp minor. Allegro [2'19]
  • 24 No 13: D flat major. Grave [4'48]
  • Steven Osborne - piano
  • RACHMANINOV

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‘A catalogue of revelations on how the Russian composer’s piano music should sound … one of the finest performances I’ve ever heard from the Scottish pianist—Osborne presented a textbook demonstration of clarity of thought and purpose … a philosophy which banished notions of Rachmaninov’s music as turgid, densely textured emotional upheaval in sonic form. This was so clear it had a rare purity, wholly refreshing the music in all its parts’ (The Glasgow Herald) ‘Textures that on the page look impossibly convoluted emerged wonderously clear, fluent and beauteous’ (Financial Times) Steven Osborne’s live performances of Rachmaninov’s preludes were greeted ecstatically by critics and audience alike: a new benchmark for performances of these works, and a new departure for this most subtle and sensitive of pianists. Now Steven has committed the complete cycle to disc—a surprisingly rare recording venture in itself. His matchless musicianship has rarely been so blazingly evident as it is here. Also apparent is his deeply individual relationship with the repertoire. This is a disc to treasure.