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Najbardziej analogowe brzmienie na CD - XRCD!

BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

PURCELL, ARNE, Catherine Bott, Peter Holman

Orpheus with his lute

Utwory
Wykonawcy
Twórcy

1. Overture to Titus Andronicus Jeremiah Clarke [4'31] Overture [2'59]  2. Minuet [1'29]  3. Take, O take those lips away John Weldon [1'54]  4. Can life be a blessing? John Eccles [2'05]  5. Pardon, goddess of the night Thomas Chilcot [3'55]  6. Orpheus with his lute Maurice Greene [2'54]  7. Orpheus with his lute Thomas Chilcot [6'25]  8. Hark, hark, the lark Thomas Chilcot [3'18]  9. To fair Fideles grassy tomb Thomas Arne [4'01]  Concerto No 9 in E minor Robert Woodcock [5'42]  10. Vivace [1'46]  11. Largo [1'56]  12. Allegro [1'58]  13. When daisies pied and violets blue Richard Leveridge [2'26]  14. When daisies pied and violets blue Thomas Arne [3'20]  15. When icicles hang on the wall Thomas Arne [3'16]  16. You spotted snakes John Christopher Smith [2'15]  17. Full fathom five John Christopher Smith [3'29]  18. All fancy sick Willem De Fesch [4'57]  19. Dry those eyes which are oerflowing John Weldon [4'14]  20. Dear pretty youth Henry Purcell [1'37]  21. Honour, riches, marriage-blessing Thomas Arne [2'51]  22. Where the bee sucks, there lurk I Thomas Arne [2'09]

Catherine Bott - vocal
The Parley of Instruments - orchestra
Peter Holman - conductor

PURCELL
ARNE

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English Orpheus

This fiftieth release in Hyperion’s glorious ‘English Orpheus’ series takes us on a Shakespearean Odyssey through Titus Andronicus, Measure for Measure, Troilus and Cressida, Much Ado about Nothing, Henry VIII, Cymbeline, Love’s Labour’s Lost, A Midsummer Night’s Dream and The Tempest. Pride of place, of course, goes to Thomas Arne’s immortal settings, but the disc additionally explores some remarkable songs by his predecessors and contemporaries. ‘The Parley of Instruments, Rachel Brown, director Peter Holman and the Hyperion recording team all deserve applause’ (Gramophone) ‘With the programme arranged by play rather than chronology, creating an alluring stylistic variety within its 100-or-so-year span, and excellent sound, music for Shakespeare doesn't come much better than this’ (BBC Music Magazine) ‘I'm sure that if it wasn't for the pioneering series of recordings named The English Orpheus we would find ourselves less the richer for the discoveries this series has brought to our notions of English musical heritage’ (The Organ) ‘Programmed with Peter Holman's usual ingenuity and originality’ (Goldberg)