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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Marc Anthony
Marc Anthony
- Marc Anthony - vocal
49.00 PLN
CD:
Nr kat.: COL4949379Label : SONY
Marc Anthony was a salsa superstar throughout the '90s, long before the Latin pop explosion of the 1999. Once Ricky Martin ushered in a new era of crossovers that spring with "Livin' la Vida Loca," there was a rush of crossover acts, almost enough to make it seem like Anthony was left behind. After all, his bid for mainstream success as the starring role in Paul Simon's broadway musical The Capeman was undone as it became one of the Great White Way's most notorious failures. Still, Anthony had his own English-language album in the works. Titled Marc Anthony, the record appeared in the fall of 1999, guaranteeing it a shot at a mass audience, which is exactly what it was designed to do. As a matter of fact, it's almost a bit too calculated, opening with two interchangeable ballads that set the tone for a pleasant, subdued set of Latin-tinged adult contemporary pop. Anthony sings beautifully throughout, but he's never given the opportunity to be truly electric, the way he can be with hot salsa numbers. The liveliest the album gets is the catchy mid-tempo single "I Need to Know," which is gently danceable, or the mild salsa of "That's Okay" and the Latin dance-pop of "She's Been Good to Me." The rest is almost all pop ballads, perfectly produced and gamely sung by Anthony. Some of these work very well, others simply fade into the slipstream. That's particularly frustrating because Anthony is such a talented singer that it's evident that he's capable of much more than this. Marc Anthony isn't bad for what it is, and a few of its singles are quite good, but it's not at the level of his earlier records, or Martin's crossover bid of 1999, either. — Stephen Thomas Erlewine