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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MAHLER, Carlo Maria Giulini
Symphony No. 9
329.00 PLN
2 LP-180G 33rpm:
Nr kat.: 2707097Label : SpeakersCorner
Opinions differ as to whether Mahler's Ninth is a work filled with world-weariness and the pain of leave-taking or whether it is - more strictly speaking - a piece of absolute music. What is certain is that this gigantic composition is one of the last tonal masterpieces which was written on the threshold to modernism. It is no wonder, therefore, that numerous recordings exist - many of which are filled with extreme pathos. Among the plethora of recordings of this later Romantic work, the present interpretation by Giulini and his excellent Chicago Symphony Orchestra stands out for many reasons. Giulini tackles the enormously expressive score with clear analytical reasoning, without becoming merely a dull executor of the musical notes. His performance is filled with transparency even in the finest and smallest melodic elements and glows with a warm and expansive timbre. Even what is often heard as brutal and dynamic in the weighty brass section is here given a more poignant and fateful sound.