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Joao Paulo

O Exilio

  • 1. Fábula (6:42)
  • 2. O Exílio (10:35)
  • 3. Arabesco (4:28)
  • 4. Fado (10:01)
  • 5. Certeza (5:39)
  • 6. Filipe Voltas Ao Sol (7:37)
  • 7. Part One (7:29)
  • 8. Part Two (6:25)
  • 9. Hist?ria de Neve (2:48)
  • 10. Chama (7:26)
  • Joao Paulo - piano
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99.00 PLN

CD:

Nr kat.: M045A
Label  : MaRecordings

Since the spring of 1996, MA Recordings has been producing extraordinary projects in Lisbon, Portugal. The catalyst for all this activity has been the highly artistic initiative of pianist and composer Joao Paulo Esteves da Silva, one of the most interesting and complete musicians in Portugal today. While Joao Paulo initially contacted MA in order to establish a relationship for the production and release of his own improvisation oriented music, the first MA project in which he was involved was Portuguese Guitarist, Ricardo Rocha's "Sample" M039A on which Joao Paulo played Harpsichord. He also introduced Ricardo to the label who in turn introduced singer Maria Ana Bobone (also a central figure on Sample). Besides the forementioned "Sample", these 3 have also recently released Maria Ana Bobone's "Senhora da Lapa" M046A on which Jo?o Paulo plays piano on all tracks as well as composed some of the music. Joao Paulo's "O Exilio" is his first release outside of Portugal. He has released only one album previous to this, "Serra Sem Fim" on the Portuguese Farol label. The music on "O Exilio" was sensitively performed by the drumless trio of Jo?o Paulo on Hamburg Steinway, Peter Epstein on soprano and alto saxophones and long time friend, Portuguese bassist, Carlos Bica on bass. All compositions except "Chama" were composed by Jo?o Paulo. It is rather difficult to describe in words the music of Joao Paulo. One could say for sure that it is "New Portuguese Music" with traditional Portuguese influences, classical influences and perhaps above all, jazz influences, but not necessarily North American jazz influenced. This is definitely not "bebop" or "modern jazz" but a completely new, stunningly refreshing approach to creative, improvised music and the fact that it is coming from Portugal, is the most interesting. "O Exilio" was recorded inside the Saint George British Anglican Church, (located inside the British cemetary!) in Lisboa during a three period in May, 1998. A beautiful Hamburg Steinway was moved into the church for this purpose. The sound of the church is perfect for this type of chamber jazz. (MA Recordgins)