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OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
HINDEMITH, JANACEK, VACKAR, John Wallace, Radoslav Kvapil, The Wallace Collection
Music for Brass, Piano & Percussion
ZamknijGaleria okładek
- Vackár (conductor: Simon Wright)
- 1 Concerto for Trumpet, Percussion and Keyboard I "The School" 4.35
- 2 II "Blues" 6.11
- 3 III Finale 5.25
- Hindemith (conductor: John Wallace)
- 4 Concert Music for Piano, Brass and Harps. Op. 49 I Ruhig gehende Viertel 5.59
- 5 II Lebhaft 2.56
- 6 III Sehr ruhig. Variationen 7.03
- 7 IV Mäßig schnell, kraftvoll 7.55
- Janácek (conductor: John Wallace)
- 8 Capriccio for Piano (left hand) and Wind Ensemble I Allegro 5.01
- 9 II Adagio 5.13
- 10 III Allegretto 4.07
- 11 IV Andante 6.25
- Recorded at Henry Wood Hall 8th - 10th September 1987
- John Wallace - conductor
- Radoslav Kvapil - piano
- The Wallace Collection - quintet
- HINDEMITH
- JANACEK
- VACKAR
59.00 PLN
CD:
Nr kat.: NI5103Label : Nimbus Records
The outstanding gem in this collection is the Concerto by Dalibor Vackár, a little known Czech composer. It is a brilliant, energetic piece scored for an unusual combination of trumpet, keyboards and percussion. Virtuoso interaction between all the soloists generates and essential driving force which contrasts with plangent tonal colours from trumpet floating over a backcloth of vibraphone and piano. Whilst more conventional, the Hindemith and Janácek explore the full potential of the piano - brass combination providing added variation and excitement to the brass ensemble medium. Reviews Dalibor Vackar's Concerto is a lively, jazzy piece, making surprisingly effective use of its unusual instrumental combination: it does rather pale beside the Janacek and Hindemith though, and while it's the shortest item on the disc (just over sixteen minutes), it's the only one that seriously outstays its welcome. I've no complaints about the performances: Kvapil's gritty determination in the Capriccio reminds one that Janácek's original working-title for the piece was "Defiance", and the almost childlike simplicity of the Adagio's opening melody is as touching as I can remember it; and in the Hindemith Kvapil, Wallace and his team capture well the Leviathanesque serenity of the opening movement and the brassy brilliance of the second. In many ways a valuable disc—how often does Hindemith get such enthusiastic advocacy as this? S.J., Gramophone